.

Credo

I believe in everything. / I believe in nothing.
Everything is sacred.

Et ret – won by walking
Anoice – liange
Mountains – sheets
Man – helping hand
Team LG – Jesus in a show
Avia Gardner – if you lose the key, throw down the house
Helios – coast off
Mugison – salt

Note: Good friend and Sensei, Aaron Coleman, has an interesting podcast review of Et Ret’s Gasworks at almostcool. Click.

Image: Bill Turpin.

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Category: Motel de Moka

neuromantik+

01 vice versa_new girls neutron
02 the normal_tvod
03 metro pakt_neue straßen
04 gina x performance_babylon generation
05 yello magic orchestra_key
06 cybotron_cosmic cars
07 miharu koshi_sugar me
08 plastics_robot (7in mix)
09 ad astra_a & r
10 alu_vendetta

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Category: Motel de Moka

Three Versions of Judas (Part 2)

The ascetic, for the greater glory of God, degrades and mortifies the flesh; Judas did the same with the spirit. He renounced honor, good, peace, the Kingdom of Heaven, as others, less heroically, renounced pleasure. With a terrible lucidity he premeditated his offense.

In adultery, there is usually tenderness and self-sacrifice; in murder, courage; in profanation and blasphemy, a certain satanic splendor. Judas elected those offenses unvisited by any virtues: abuse of confidence (John 12 :6) and informing. He labored with gigantic humility; he thought himself unworthy to be good. Paul has written: Whoever glorifieth himself, let him glorify himself in God (I Corinthians 1:31); Judas sought Hell because the felicity of the Lord sufficed him. He thought that happiness, like good, is a divine attribute and not to be usurped by men.
-Jorge Luis Borges, “Three Versions of Judas

01. A Small Good Thing – Godforsaken
02. Pedro – Fear & Resilience
03. Hacia Dos Veranos – Despertar
04. Gotan Project – Tango Cancion
05. Rosal – Educación sentimental
06. Mary Lou Williams – Play It Momma

Note : This list is a short weekend musing about Jorge Luis Borges writing “Three Version of Judas” first seen in perc’s blog entry. The songs in the list are mostly post-rock, except Mary Lou Williams. See also (Part 1)
Image credit: fo.ol

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Category: Motel de Moka

After the Carnival / Mes vacances á Rio

LC Franca from Rio sent me 5 bossa and samba songs for your listening pleasure over a month ago. Sorry for the delay LC and thanks for sharing! Hope you like my compliment picks.

LC franca’s picks (After the Carnival):

Bossacucanova – telefone
Otto – low
Max de Castro – afrosamba
Suba – sereia
Caetano Veloso – you don’t know me

My picks (Mes vacances á Rio):

Rinocerose – mes vacances á Rio
Marcos Valle – Parabens (thanks jt)
Baden Powell, Charlie Byrd & Joao Gilberto – deve ser amor
Lo Borges – Homem da rua
Smokey and Miho – blue glasses

Image: Fabio Zimbres.

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Category: Motel de Moka

Coloured smoke

Hay días tan dulces como cuchillos…

Christina Rosenvinge – Quien me querrá
Marisa Monte – beijaeu (en vivo)
Cassia Eller – Por enquato (acústico)
Mariza – Loucura
Marisa Monte – Amor I love you
Lhasa de sela – Los peces

Imagen extraída de Coloured Smoke

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Category: Motel de Moka

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]