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Nighty Night for a Newcomer


First of all, let me thank my dear friend Moka for letting me get started in this prominent blog!

So this is to be my initial post, and with this I begin my new life as a blogger. Some of the staff may know me as DeadFishy, I made 2 guess posts a while ago :D, so “Hi!”.

Now… let us ‘cut to the chase’… songs for Nighttime, songs that help me sleep when my insomnia ruthlessly attacks me.
Enjoy.

Vashti Bunyan – here before

Alpha – Firefly
Mr.Projectile & 1010 – A1 Wild Orchids
Kathryn Williams – In a Broken Dream
New Roman Empire – Injured Ninja
Beck – Everybody’s Gotta Learn Sometime

Image is a LotusOverWater selfportrait… I guess you can call it a selfportrait… oh hell, I took the picture ok?!

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Category: Motel de Moka

Themes for an early evening American girl trying her new sunglasses while having socialist thoughts


Fiery Furnaces – waiting to know you
Sailcat – motorcycle mama
Wilco – kamera
Red House Painters – I feel the rain fall
Kimya Dawson – hadlock padlock
Irma Thomas – anyone who knows what love is

Image: Jean Lecointre.

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Category: Motel de Moka

Dub Flavored Goodness

Some dub and reggae flavored music for these melting days we’ve been having here lately at my city. I’ll start with the classic reggae tune “I chase the devil” from Max Romeo which was later used as a sample on a certain Prodigy song and it comes from the album “The War in Babylon” which is an excellent album from start to finish and you should hunt it down immediatly if you like this sort of music.

Next comes a track from Moderat, which is a collaboration between Modeselektor & Apparat (therefore, moderat, get it?), the song comes from a compilation german magazine De:Bug released and will very probably have an official release by the end of the year (at leats I hope it does, the collaboration sounds very promising based on this track).

Since the past song counts with the collaboration of Paul St. Hilaire, I thought it’d be nice to have something from the legendary “Rhytm & sound” catalog. I’d suggest you to hunt “See Mi Yah remixes” (released in March 2005) which is basically the original instrumental “Rhythm & Sound” track plus 10 vocal versions of the song remixed by well-known electronic artists. I chose the Willi Williams as it’s the one I fancy the most but the other vocal renditions and remixes are worth your money (well, as long as you don’t mind listening to the same song reversioned eleven times), check the playlist and album info here.

“Ganja smuggling” from Eek-a-mouse’s “Wa-do-dem” is a real fun track sung in eek-a-mouse’s own vocal style called “sing-jay” and then comes Manu Chao. I admit I’m constantly burnt-out at his music but in all the simplicity and naive optimism he injects on his songs lies precisely its deceptively strong appeal. I’ve lost count of the amount of times I’ve been forced to listen to his album “Clandestino” in parties around here. The song I offer to you comes from his last year’s album “Siberie M’etait contee” which was recorded as an accompaniment to a book of illustrations done by cartoonist Wozniak and which was only printed in limited amounts. The reggae and latin influences are gone for the most part in this album, as it is a sort of homage to Paris. “Siberie fleuve amor” is the most recognizable song from the release with a xylophone thrown in over the usual percussive driven elements Manu Chao is well known for.

The dub part ends with two leaked goodies from the Easy Star All-stars Radiodread tribute out on November: “No surprises” and “Let Down”. The former counts with the participation of the Meditations and the later with the ever hyperactive Toots and his Maytals. I was honestly expecting much less from this tribute, ok computer taken to the ever dangerous kaya territory sounded a really bad idea to me. Turns out these two songs work in their own tedious kind of way. Judge for youself and hope you have a nice weekend. Oh and also sorry for any writing inconsistencies, I’m in a bit of a hurry and I don’t have the time to double check the write-up, I’ll try and edit the post tomorrow.

Noches.

Max Romeo – I chase the devil
Moderat – let your love grow (feat. Paul St. Hilaire)
Willi Williams – see mi yah
Manu Chao – siberie fleuve amor
Easy Star All Stars – no surprises (feat. The Meditations)
Easy Star All Stars – let down (feat. Toots and the Maytals)

Image: Herve di Rosa

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Category: Motel de Moka

Nico


Nico, últimamente no puedo parar de escucharla o, más bien dicho, sentirla… ¡Me está trastocando! Aquí van mis tres favoritas:

Nico – These days

Nico – The fairest of the seasons

The Velvet Underground & Nico – I’ll Be Your Mirror

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Category: Motel de Moka

Night at Beirut

Our mother had sold every piece of furniture we had to pay our trip to Cyprus while leaving all of her savings intact.
My brother and I, back at home were watching the moon that entered lavishly into our room. For the past 2 days our house had been emptied without criterion.

Our mother was asleep, or maybe half-asleep. We turned the lights off (for mosquitoes). There were still a few things left: One closet, our beds, the refrigerator and some lamps. Those nights, without our father and all the furniture, our life felt like a parenthesis. None of us could sleep.

My brother was drinking lemonade on one of the two balconies we had, and I was on the other one listening to the ice on his glass. We were both watching the same sky, as if we were guarding our mother’s sleep, as if we’d been adults all of our lifes.
I don’t know if I felt happy or unfortunate, but I absorbed that last summer as a summary of my childhood, like the score of an age closed loudly by a door.

Cuong Vu – it’s mostly residual
(it’s mostly residual, 2005)
Asche & Spencer – under the stars
(monster’s ball OST, 2001)
Gogi. ge. org. – kampolina
(post-industrial boys, 2005)
Christian Vogel – neon underground
(station 55, 2005)
Noze – yucca
(Crafts, sounds & noises, 2005)
Moondog – lament 1
(Moondog, 1969)
The High Llamas – calloway
(beet maize and corn, 2003)

Image: Ghost ship by Carson Ellis.-

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Category: Motel de Moka

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]