.

a dream

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two years ago a very close friend of mine lost his wife to a condition that was never diagnosed, and since then he has had many vivid dreams about her/

he posted this latest dream on his blog today, so i’m sure he wont mind me repeating it here/ a little background: he is a big fan of time travel, not just the idea but the serious possiblility of it actually exsisting/… with this dream i now understand why he is fascinated by it, a reason i shouldve figured out right away, but didnt/

just woke up from this:

i was going climbing with some friends. we met at this sort of creepy cool old used bookstore on the outskirts of town. it was famous for being able t get whatever old out of print book you needed, and usually in good shape. i was walking thru the stacks, and ran into angela lansbury. but she was in her teens. i didn’t think anything of it at the time, just thought it a bit weird. i knew it was her, but didn’t think anything of the fact that she was 19. i think maybe i had seen her a couple of times before this. i got some books, including some old climbing guidebook. went to the checkout aisle, and as i’m waiting to be checked out, angela lansbury–the murder she wrote one, who’s in her 60′s walked by. i made eye contact with her, and asked her if she knew of any special books she could suggest i read. she told me to come over so she could whisper it to me. “you’ll want to check out ‘the linesman’.” is all she said, but she winked as i drew back from her. i don’t remember looking that book up, but when we(some climbing friends and i) left the store, i knew that the store was a time vortex or something. by reading that book, one would unlock the secrets of the time travel. that’s how they got all those old books in great shape.
so, we’re driving to the climbing spot, and my phone rings. i pick it up, and anna answers. she’s been dead for two years now, and the same was true in the dream. i didn’t want to spook her, cos i was talking to her, and didn’t wanna fuck something up or scare her or anything. she asked me a couple of things, oh, i remember having told her once a long time ago that i’d be seeing her soon. she asked me where i was, cos i had called a while ago, telling her i’d be home soon. i asked her where she was, but she wouldn’t answer straight out. i eventually got out of her that she was at this mexican restaurant that we went to once. i know we only went there once, cos i could–in the dream–use this to figure out we were in boulder, but i could’t narrow down the time frame. she could sense i was getting at something, but i didn’t want her to know yet. i said to her “this is gonna sound really strange, but what year is it?” she wouldn’t answer. she sounded kind of put off, in fact, that i’d even ask. i didn’t know if she was sick by this point or not. but that wasn’t what i was getting at.

(break from the dream, this is josh talking reality for a moment)
the last book we both read (her first, then me) was called the time traveller’s wife, by audrey niffeneggar. if you haven’t read it, i would highly suggest you do so. when you do, you’ll know why this book especially means something more than just a book we read together.

(back to the dream).

i was trying to discern if she had read this book yet or not, in the time she was calling me from. i guess in the dream she was already sick, but she didn’t know she was gonna die. in the book, henry dies, and claire knows it. but henry’s the one who time travels, and is always hiding things from claire. it’s a great turn of circumstances…i was trying to figure out if the anna on the phone had read the book, and put together that she was gonna die. but i didn’t want to scare her.
i asked her a couple of times what the year was, but she wouldn’t tell me. i finally asked if she had read anything by audrey niffeneggar. she finally said that she had, and she got a little choked up when she answered.
i knew that shew knew, at this point. that she was gonna die, i mean. in fact, she told me. something to the effect of “josh, i know.” all i could do was manage to get out “i love you so much, anna. i miss you.” and it was completely garbled, cos i was crying already, but i didn’t want to not say them. she ended with “i know, josh. i know.”

end of dream.

dunno if it exists or not, but i’m off to find a book called the linesman now.

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Category: Motel de Moka

Night time (is the right time) (once again)

Having trouble shaking it off of my system – second set featuring the Supremes making a delicious beatles cover after swallowing too much candy, Leo Muller righteously homaging Hendrix, a musical document of the day Peggy Lee found funk and Sun Ra telling us to kiss our ass goodbye when them motherfuckers push that button. Enjoy.

T. Rex – jewel
(t. rex, 1970)
The supremes – come together
(new ways but love stays, 1970)
Sun Ra & his space orchestra – nuclear war
(nuclear war, 1982)
Peggy Lee – sitting on the dock of bay
(sitting on the dock of bay 12″, 1970)
Leo Muller – the acid test
(purple fox, 1969)
Incredible Bongo Band – let there be drums
(Bongo rock, 1973)

for a second dose try also: night time (is the right time)
Photograph: Red light district, Amsterdam – 2003.

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Category: Motel de Moka

Standard net tracks No. 1


Simple List for Chilly Day

01. Deerhoof – L’amour Stories (web)
02. Kinski – The Wives Of Artie Shaw
03. The Angels of Light – Praise Your Name
04. TV on the Radio – Dreams
05. Thee More Shallows – Freshman Thesis (web)
06. Joan Of Arc – Fleshy Jeffery (web)


Note
: The entire system is falling apart, ezarchive is behaving badly. So this is a short entry to keep things going for awhile. Off topic question: Anybody wants to have a jazz blog? I think it would be interesting. What sort of jazz do you like to listen to? Also, there are now little buttons to submit Digg, update delicious bookmark and exit to Hypemachine.

image credit: click on icon.

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Category: Motel de Moka

Juana Gallo

Esta semana comenzó muy bien, mi abuela llegó a visitarnos y eso que significa? Significa MUY buena comida, buena compañía y más que nada, buena música.

Mi abuela es una persona con un carácter fuerte, sus opiniones son directas y sinceras, es una de las peronas mas cariñosas y más independientes que he conocido en la vida. La admiro y la adoro, así de simple.

En los años 60´s, mi abuela fue descubierta por tener una fabulosa voz y mucha habilidad con guitarra, y fue así como llegó a grabar unos cuantos discos para Capitol Records en la Ciudad de México con el nombre artístico de “Juana Gallo”. Afrotunadamente, mi tio encontró los viniles y los pasó a formato CD para poder guardarlos y sacarles copias. Una de esas copias llegó a mis manos y he decidio dedicarle este post a mi abuela Juana Gallo.

Brief Translation of Text:
This post is dedicated to my grandmother. She was a singer in Mexico City in the 60´s and she recorded a couple of records for Capitol. She went under the name of “Juana Gallo”. This is my grandmother at her best, I love her, she´s spectacular with her voice, her guitar and her food *gurgle gurgle*!!

Juana Gallo – Que Poco Fuiste (Recorded for Musart)
Juana Gallo – Arrodillate (Recorded for Capitol 1968)
Juana Gallo – De Puro Acero (Recorded for Capitol 1963)
Juana Gallo – Que Cobarde Soy (Recorded for Musart)*

* Juana Gallo original song

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Category: Motel de Moka

.anesthesia.

Galaktlan . Valetajad
Text Adventure . I’m a shoe, I miss you
Norman Fairbanks . mystified
The london apartments . next year
Yagya . walkman
Crashed car . skylight facing myself
Kiln . king of wasps
Pattern is movement . in tapegrass (remix by Scott Solter)

Songs 1 . 7 taken from archive. Song 8 comes from the hometapes label.
Image: Goldmine shithouse collective.

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Category: Motel de Moka

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]