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A Worshiper of the Flesh

Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms. I am one of millions who do not fit in, who have no home, no family, no doctrine, no firm place to call my own, no known beginning or end, no “sacred and primordial site.” I declare war on all icons and finalities, on all histories that would chain me with my own falseness, my own pitiful fears. I know only moments, and lifetimes that are as moments, and forms that appear with infinite strength, then “melt into air.” I am an architect, a constructor of worlds, a sensualist who worships the flesh, the melody, a silhoutte against the darkening sky. I cannot know your name. Nor you can know mine. Tomorrow, we begin together the construction of a city.’

-Lebbeus Woods

 

Architecture is really hard to specifically define, or at least for me, because for me, it engulfs all that is beauty, rythm and form… I believe this is one of the most touching quotes I have ever encountered in my architectural life. Architecture is not only beams, concrete, floors and roofs, WE are architecture we are the ones that define wether we live rejoiced or encarcerated, wether we breathe in the summer air, or work under floureschent lights, architecture is life interpreted, concept in motion.For me, it has all become a journey, no… a mission, I am in perpetual search of beauty, of that little detail, of that space, that air, that strenght that ‘silohuette against a darkening sky‘, that syllable that when uttered will restore our innocence and pureness of being.

These are the things that keep me up at night… lines, shadows, volumes, lights flud my head and deprive me of any sane sleep. I worry about my competence, I doubt myself as a creator of structural life, I fear the land of the grey masses, I sometines feel on the verge of tears because I feel I’m not doing enough. I feel as though a huge resposibility lies on my shoulders, not only as an architect but as a human being, as an INTEGRAL human being… these things I fear also are the basic lines of motion on which I thrive upon (or at least try to), they are my fears, they are what try to hold me behind, and I hate them, I despise their sneer, their constant gaze, so what is there to do? break away of course, break away as hard and as fast as I can, break away and leave them behind.

These thoughts break me apart, but that is not entirely bad… I mostly welcome the discomfort, the unbalance, I enjoy breaking away with my sanity piece by piece, night after night, model after model. I feel that that is the only way in which I will be able to change my perspective, change my eyes, my skin, my touch, only then will I be able to build pureness…

 

*End of Rant*

 Images: LOW vanity pictures

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Category: Rock

His name is Dog, Jesus Dog

Well I’ve had this post laying around for quite some time now, and I’m utterly ashamed of not being to post more frequently… my workload has been UNBELIVABLE, I’ve had projects over projects, and I recently entered a contest in the museum of art of my city, so I’ve been stressed out on that as well… so at last I have a small gap in my tightly knit schedule and have decided to finalize this loose end.
As some of you may know, it was my birthday a few Saturdays ago and that Gecko you see in the picture there was among some of the gifts… I feed it live crickets, and he(she?) sleeps alot, I’m told they can grow up to 50cms in lenght!
So as you can imagine, that Saturday was full of music, food and wine… I think it’s the closest I’ve been to a Roman party dedicated to Bacchus! Wine, wine, wine, food, food, food, music, music aaaaaaaaaaaaaaaaand music! All wholesome fun as you can imagine…

I think that upbeat, cheerful music in order, to lighten up my heavy-workloaded day. So these are songs dedicated to my Gecko.

NOTE: The illusion of these songs, only work if you imagina a Gecko dancing to the beats of each song!

~<*)))><

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Category: Rock

Just What Is It That Makes Today’s Homes So Different, So Appealing

I made this list because I want to have the ultimate generic retro/pop-punk list circa 2006. Somewhere between Clash and the latest Shins album. One list that I can listen to droningly without feeling a thing. To be frank I am kinda over with pop-punk and everything just pass right through my head. The Shins seems to have incorporate everything there is into retro punk without turning it into something else. (eg. Tortoise , ambient/electro rock such as Album Leaf or dream pop even)

Here is my question for you my brave readers: 1. Is the Shins all that? 2. Is it the tail end of 2006 or giving us something new for 2007? 3. Is this retro-punk style even exist?4. Am I the best looking contributor at MdM? more ketchup? What’s your take? Discuss.

Today’s Household Pop

1. The Album Leaf – See In You
2. Tokyo Police Club – Be Good (web)
3. Love is all – Talk Talk Talk Talk (web)
4. Tortoise – Some Say (I Got Devil)
5. The Shins – Sleeping Lessons
6. Dirty Little Secret – Hush Your Lips (web)

see also: the Clash, the Shins
image: “Just What Is It That Makes To-day’s Homes So Different, So Appealing“, “My Marilyn” by Richard Hamilton

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Category: Rock

Desierto Acercándose

huichen.jpg
Un breve paréntesis de insidia e imprecisa nostalgia en lo que se me abren los ojos el día de hoy. Que ganas de quedarme en casa despidiendo a la gripe y viendo westerns hasta que sea lunes-

  1. Brightblack morning lightfry bread
    (Brightblack morning light, 2006)
  2. Euphoniccattleprod
    (Euphonic, 1998)
  3. Johnny Jenkins - I walk on guilded splinters
    (Ton ton Macoute!, 1969)
  4. La gusana ciegano puedo verte
    (Correspondencia interna, 1999)
  5. Lovealone again or
    (Forever changes, 1968)
  6. Calexicosi tu disais (if you said)
    (Convict pool Ep, 2004)
  7. Urge overkillgirl, you’ll be a woman soon
    (Pulp Fiction ost, 1994)
  8. John D. Loudermilkthe lament of the cherokee reservation indian
    (The open mind of John D. Loudermilk, 1969)
  9. Killer Wattsthe good the bad & the ugly
    (The many moogs of killer watts, 1974)

Image: Matthew Laznicka.

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Category: Folk, Rock

Both the oppressed and the accused.

kenoostshot.jpg

Sentiment is a really difficult thing. How do you express your feelings over something that has affected you deeply for all of your life without seeming dramatic. I had an idea to do a mix of tracks by k. d. lang about a week ago and the mix became something else entirely. I was listening to Dropout by Urge Overkill (again) thinking about how I’ve loved that song for so long without really understanding it’s true significance to my life. For years I thought of it as being about a young girl, all stylized as the perfect waif character, lost in the world. Truth is it very closely describes the life I led for many years. It also struck me how much it applies to so many of my crew, the boys I grew up with, the lost generation of whiteboys who “fucked-out” as we used to say back then. It’s difficult to describe what living under the apartheid government was like. When I think back the best way to describe it would be to say that there was never any air. You could breathe but nothing nourished you. When I was sixteen I refused to register for military service. My entire family was not aware of this and I kept it a secret. If I think about it now my motivation for everything was to get away from things and not towards them. By the age of seventeen I was blacklisted. This was not as significant as it sounds really, it never affected my life. I stayed in school and managed to get into university so I was safe. If I had continued to refuse national service without an official way of getting out of it I would have gone to jail for six years. This fact may be insignificant in retrospect but I honestly wonder now: how did a society that brought up it’s children in that way expect them to turn out if they treated them like that. It got me thinking about Karl. Karl was the older brother of one of my best friends in Primary School. During the BMX years he was our hero. He used to do off road racing and he was really good at it. He was even on a TV drama program for awhile. He was always my benchmark for how to survive within the circumstances we found ourselves. He went to university and studied journalism, I wanted to follow in his footsteps.

On Wednesday night I was speaking to my new friend Eran. He’s busy traveling at the moment, visiting the country of his birth, which is here due to the fact that his parents were working in Jo’burg when he was born. He’s from Israel and in a hardcore punk group. I was interested in what he had done as far as his military service was concerned. He told me that he had served two months in jail when he was younger. I thought that it was quite a strange time period to serve and he explained to me how it works. They put you in jail for two weeks. They don’t tell how long it’s going to be for, they don’t put you on trial. After two weeks they ask you again and so on. Depending on the political situation and other factors your time served is up to the whims of your captors. He was lucky I suppose but to hear him talk about it is pretty heavy. That is basically legalized torture.

The military issue was always an axe hanging over our heads. Two years before I would become eligible to serve in the military, South Africa experienced some of its worst township violence. One of Karl’s friends ended up going to the army around that time. He was an intelligent individual who would skillfully argue against apartheid, in the bravest fashion. Within about eight months of going into the military he came out on leave. He was dating one of my friends sisters at the time. He had become a raving racist. My friends sister was trying so hard to get him back on the ground, like where the fuck are you, what happened. He would tell us what happened, it did not sound good. In the townships they were basically at war. In the process he had learned to hate black people. The constant threat of dying had made him insane with hatred. His girlfriend ended up biting off one of his fingernails during a really violent fight that occurred later that evening. She was pregnant at the time and ended up having a boy called Christopher (named after me, yay!). They never married, she ended up with someone else, a family friend. They had been deeply in love.

The first time I ever smoked Mandrax I was walking with my two drug buddies back to Northcliff corner. They were both a year older than me and about to finish school. They were poor kids whose parents would not have been able to put them into university even if their school marks had been good enough. Alister started talking about going into the army, asking in our lingo if my other friend thought it was inevitable that he would have to go. He was scared. He OD’ed on Wellconal a year later. A few years ago so did Karl. This mix is for my friends, the one’s who did not make it through the wilderness, the ones who barely did and for the rest of us lucky ones. May we never go “there” again.
Both The Oppressed And The Accused

Image: The death of Ken Oosterbroek, 1994.

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Category: Motel de Moka

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]