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Anti-Apathy list

I don’t know about you, but lately, I’ve been hitting the ‘next’ button on my itunes way too much, nothing really seems to satify my mood these days.

So, what I usually do in these cases is blog-hopping, thing that I’ve been doing for a couple days now, and I think I can say that I’ve run into some pretty interesting stuff, I think my days of loittering on the internet have paid off a bit.
What I have to present here, is a highly eclectic list… I think Im not even going to bother to put the category thingy on! It ranges from Indie, to sort of ninja-tunes, to ambient, to electronica, folk… and drinking songs… You just CANNOT go wrong here!
So, I hope this random list can hit a note somewhere in your moods…
:::
1. Cold War Kids – Hang Me Up To Dry
2. Bloc Party – The Prayer
3. Best Irish Drinking Song – Bog Down In The Valley
4. Felix Laband – Whistling in Tounges
5. Flying Lotus – 1983
6. Hello Stranger – Es Tu Vida
7. Julie Feeney – Autopilot
8. Men-An-Tol – Orange Juice & Vodka
9. Takeshi Terauchi & The Bunnys – Hungarian Dance No. 5
10. Trost – In Diesem Raum
11. Silversun Pickups – Checkered Floor

Post Edit: I was reading the comments right now, and you were right Undomondo…. I should put on here the blogs I’ve been surfing lately. Thank dearly to:

+ Aurgasm
+ La Blogotheque
+ Undomondo
+ Musicisart
+ Umanuvem
+ Gorilla vs. Bear

Image: Lebbeus Woods installation

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Category: Rock

Texture No.4 (Contrast and Frequency)

First prototype list in the series to see if I can combine all elements I want (electronica, postrock, folks, moderns). This is pure texture play without structure. (contrast, frequency spread, transition). A trial if it is at all possible to build listenable and functional list. The texture idea is first brought up by merz at merz needs guitar, I took the tortoise track and start working backward while adding all things I want. So this list is progressing to bigger sound. Also loud. I compile this list at very loud volume, using the Arvo Part as floor. Since the list has no abrupt painfull track, it’s pretty safe for gentle ears. Go ahead indulge.

Some problems: mp3 is not able to completely capture Arvo Part tracks without somewhat loosing its charm. If you notice the choir voice is not as lush. The Tortoise track is also blurry compared to newer postrock recordings, tho’ probably it’s because of original recording. The rest of electronica are fairly spiffy, with deep bass or tight high pitch. I love it.

Anyway, enjoy. this is somewhat experimental. Comments away.

“Texture No.4 (Contrast, Sound and Frequency Sculpture)”

1. Adm Collins – Long Distance Lover
(unreleased single)
2. Arvo Part – Magnificat
(De Profundis, 1997)
3. alva noto + opiate – opto file 4 (web)
(cdr040 opto files, 2001)
4. SIGNAL CENTRUM – super-structure
(cdr030 SIGNAL CENTRUM, 2000)
5. Christian McBride – Little Sunflower
(Number Two Express, 1996)
6. Skolopender – Liten Kuling Tolv (web)
(Teaterarasjens Kompressor compilation, 2003)
7. Gabby La La – Be Careful What You Wish For, Cause It Might Come True (web)
(Be Careful What You Wish For, 2005)
8. Cypress Hill – Lick a Shot
(Black Sunday, 1993)
9. Orbital – Attached
(Snivilisation, 1994)
10. Ralph Myerz – Ambivalent (web)
(Ralph Myerz(progr.) w/ Olav Øyehaug(instr.), 2003)
11. Tortoise – Glass Museum
(Millions Now Living Will Never Die, 1996)

see also: No. 3b, No. 2a, Arvo Pärt (wiki)
image: MikeParker

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Category: Electronica

Imperial Lounge No.2

Effects of the listening context on responses to music largely have been neglected despite the prevalence of music listening in our everyday lives. This article reports 2 studies in which participants chose music of high or low arousal potential during (Experiment 1) or immediately after (Experiment 2) exercise or relaxation. In Experiment 1, participants preferred appropriate arousal-polarizing music over arousal-moderating music. In Experiment 2, participants preferred arousal-moderating music over arousal-polarizing music, such that their listening times contrasted clearly with those in the first study even though the same music and methods were used. Thus musical preferences interact with the listening situation, and participants’ music selections represent an attempt to optimize their responses to that situation. When motivated to maintain a state of polarized arousal, listeners use music to achieve this; when they have no such goal, they use music to moderate arousal. – Some internet mambo jumbo.

Electronic sound for night working environment

4hero – loveless featuring ursula rucker
(Two Pages, 1998)
Mouse On Mars – Schnick-schnack
(Cache Coeur Naif, 1997)
Kraak & Smaak – Jolie Banane
(Boogie Angst, 2005)
D. Diggler – Somewhere Sunday
(Atomic Dancefloor, 2001)
Bjork – Scatterheart
(Selmasongs, 2000)
Lunchbox – Brown Bag
(Anyways, 2004)
Faux Pas – Barry
(The Faux Feels, 2006)

Note: Electronica Lounge list. It has very controled dynamic, so it’s perfect for late night work. It’s compiled for everybody who needs background music while pulling all nighter.

see also: No.1, Music for Airport in December
image: Trapingus Parish

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Category: Electronica

Spiral Galaxie

1. glissandro 70something
(constellation / 2006 / glissandro 70)
2. shogun kunitokimontezuma
(fonal / 2006 / tasankokaiku)
3. sunroof!zero
(vhf / 2003 / cloudz)
4. faustkrautrock
(blue plate caroline / 1993 / vaust iv)
5. désormaisone or many wolves
(intr-version / 2005 / dead letters to lost friends)
6. cariboubees
(domino / 2005 / the milk of human kindness)
7. l’altrablack arrow
(aesthetics / 2002 / in the afternoon)
8. kammerflimmer kollektieflichterloh
(staubgold / 2005 / absencen)

artwork: nicole sanches

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Category: Electronica, Pop, Rock

The Charming Echoes of the 70′s

Undun – Sinnerman

The Guess Who – Undun (wiki)
(Canned Wheat, 1968)

Nina Simone – Sinnerman (wiki)
(Pastel Blues, 1965)

Robbers on High Street – The Fatalist (web)
(The Fatalist and Friends, 2007)

Shapes Have Fangs – What in the world (web)
(Shapes Have Fangs, 2006)

Earl Klugh – I Heard It Through The Grapevine
(Blue ‘N Soul, 1992)

Devendra Banhart – There Was Sun
(Rejoicing In the Hands, 2004)

Marvin Gaye – What’s Going On (wiki)
(What’s Going On, 1971)

Note: 70′s flavor this week. It nestles comfortably between jazz, soul and rock. The melody and the singing are what drive, a temporary change from hard punk, electronica and slow core.

see also: Monday list
image: Stefski

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Category: Pop

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]