.

Milk

The blowhey boy
(Poor Aim: Love Songs & Remixes, 2007)
The Fiery Furnaceswaiting to know you
(Bitter tea, 2006)
Department of eaglesno one does it like you
(tba, 2007)
Paolo Contehappy feet
(Best of Paolo Conte, 1998)
Greg Ashleysailing with bobby
(Painted Garden, 2007)

Photo: Izima Kaoru.

Posted by: .

Category: Pop

Imperial Lounge No.3a

In this little lonesome dwelling, with some slender means that she possessed, and by the licence of the magistrates, who still kept an inquisitorial watch over her, Hester established herself, with her infant child. A mystic shadow of suspicion immediately attached itself to the spot. Children, too young to comprehend wherefore this woman should be shut out from the sphere of human charities, would creep nigh enough to behold her plying her needle at the cottage-window, or standing in the doorway, or labouring in her little garden, or coming forth along the pathway that led townward, and, discerning the scarlet letter on her breast, would scamper off with a strange contagious fear.
- Nathaniel Hawthorne, The Scarlet Letter

Theme from a Dream

01. Portishead – Glory Box (Alex C Adventure)
(Dumb, 2006)

02. Thievery Corporation – International Flight
(The Outernational Sound, 2004)

03. Desmond Williams – Theme From A Dream
(Delights Of The Garden, 2002)

04. St Germain – Pont Des Arts
(Tourist, 2000)

05. The Cinematic Orchestra – Music Box
(Ma Fleur, 2007)

06. Clogs – Fiddlegree
(Lantern, 2006)

Note: Two part lounge list for MdM and MIA. Let’s see if I can create a soft Gothic feel without turning too dark. This list comes with a lot of my favorite artis. so visit their page and buy their album.

see also : Imperial Lounge 3b, 2, 1, Nathaniel Hawthorne
image : speakingoffaith

Posted by: .

Category: Bedroom playlist, Electronica

Ven a tatuarme primavera en el cuello.

Red house painterscabezon
(Ocean beach / 4AD / 1995)
Arthur Russella little lost
(World of Arthur Russell / Soul Jazz / 1980)
Andrew Bird
the supine
(Armchair Apocrypha / Fat Possum / 2007)
Bright Eyesmiddleman
(Cassadaga /saddle creek / 2007)
Kammerflimmer Kollektiefnest
(Jinx / Staubgold / 2007)

Foto: Lin & Tony.

Posted by: .

Category: Acoustic, Rock

Dark Stars in the Dazzling Sky pt.2

Photo credit: takuya miyamoto

For those who have successfully coped with last weekend’s Dark Stars in the Dazzling Sky: you may now proceed to part 2.

  1. EarthlessFlower Travelin’ Man
    Sonic Prayer (Gravity, 2005)
  2. TitanDie Morgensonne / Die Mitternachtssonne
    Untitled (Paradigms, 2006)
  3. Comets On FireHoly Teeth
    Avatar (Sub Pop, 2006)
  4. OmKapila’s Theme
    Variations On A Theme (Holy Mountain, 2005)

The idea remains the same. Roughly 50 minutes of psychedelic guitar improvisations and gut crunching base riffs to take you on an acid rock trip that will leave you thunderstruck. Be prepared to be blown away by the first track. After a minute and a half the guitar kicks in and basically starts an 18 minute improv trip with apocalyptic results. This is all the exercise you’ll ever need to train your neck muscles.

Titan relies more on atmosphere so they take their time to build the right ambiance to unleash their freaked out psychedelic rock jam. To add some contrast I’ve included one of my favourite tracks of last year’s Comets on Fire album. They waste no time and start kicking you in the face right from the moment the track starts. And finally there’s Om with their minimalistic approach to repetition, mantra-style vocals and hypnotic patterns to close the list with a gargantuan piece of heavy grooving stoner.

Posted by: .

Category: Rock

’2.45 AM’

+Elliot Smith – 2.45am
(Either/Or, 1997)
+Elliot Smith – Son of Sam
(Figure 8, 2000)
+Ane Brun – Drowning in those eyes
(Spending Time With Morgan, 2003)
+Ani DiFranco – Millenium Theater
(Reprieve, 2006)
+Arrah & The Ferns – Science Books
(Evan is a Vegan, 2006)
+Cat Stevens – Into White
(Tea For The Tillerman, 1970)
+Death Cab for Cutie – I Will Follow You Into the Dark
(Plans, 2005)
+Donovan – Get Thy Bearings
(The Hurdy Gurdy Man, 1968)

2.45am has always been my favorite time of the day… I don’t really have a congruent explanation for it actually… I just think that that time of day posses something somewhere along the lines of ‘magical’.

Nighttime is seductive, I love it how your senses seemed hightened at night, everything goes quite, delicate, speech turns down to whispers, touch to caresses, even breathing takes on a different rythm, but in all of this, I have to admit that the thing I find more appealing is the quiteness. At night, everything goes quite and starts humming in a whole different level, you can listen to everything.

I like it how I can put on my music to just a whisper and still get to take it all in. There is nothing to disturb me at nights, it’s me and my thoughts, me and the streetlights, me and my pencil…

This is a very heavy folkish playlist, which suits my night humor right now, it’s pretty warm here, and I think this playlist is too, tell me what you think.

Posted by: .

Category: Acoustic

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]