.

Dreams: Somebody dragging/calling (For Frog Kingdom, I)

This is another rather private list I selfishly made, for my very dear friends. And for sakes of dreams. For that they are real, and everything really happened. The best you can do is never smash them.

1. Giacinto ScelsiAntifona “on the name of Jesus”
(Giacinto Scelsi: In Nomine Lucis / Solstice / 1998 / written in 1975)
2. Morton FeldmanSlow Waltz
(Three Voices for Joan La Barbara / New Albion / 1989)
3. Alvin CurranCrystal Aires
(Songs and Views of the Magnetic Garden / Catalyst / 1975)
4. Alvin LucierVespers
(Vespers & Other Early Works / New World Records / 2002 / written in 1969)
5. Wang FanXuanzhuan De Tuoluonidi
(Jukebox Buddha / Staubgold / 2006)
6. Charles C. OldmanLow Nicotine Aromatic Addiction
(Low nicotine aromatic addiction / Hinah)
7. AlogA Dragon Lies Listening
(Jukebox Buddha / Staubgold / 2006)
8. Jacques LejeuneNaissance De Blanche Neige
(Blanche Neige / Originally issued: SFP, SFP 91.043, 1975 & Nathan, NA 222, 1988 / re-issued: creel pone, 2006)

*This list is specially for the frog king.
*Image credit to: Too Long Project
*Much thanks to friends for recommendations, especially schizodanny

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Category: Experimental

Return to Sea: As the Waves Will Always Roll

Still from Vozvrashcheniye by Andrei Zvyagintsev, 2003

The sea seems to attract people in a most irresistible and overwhelming manner. There is nothing like gazing into the horizon and getting lost in the immensity of the sea. I grew up very close to the sea – The North Sea was a mere couple of minutes away from our home – and spent many days along the shoreline. I favoured the sea in the autumn, unlike most people who preferably went to the beach during the summer. This preference for the autumn sea fits well with my fondness for melancholic music, black and white photography and the nostalgic and longing sound of the cello. It also fits well with my fondness for the famous print The Great Wave off Kanagawa by Katsushika Hokusai. A marvellous work that has symbolized our admiration for the sea ever since.

The picture above is a still that was taken from the great Russian film Vozvrashcheniye (The Return) by Andrei Zvyagintsev, easily my favourite film of the last 4 years. Vozvrashcheniye is an enigmatic drama about paternal bonds that follows two adolescent brothers and the return of their father after a 12-year absence. It is a strong psychological study that offers breathtaking visuals with epic-length shots and beautiful photography by Mikhail Krichman. The first track of the playlist below comes from the soundtrack of Vozvrashcheniye, which was released by ECM in 2005.

This playlist is my return to sea. I’m gazing over the shoulders of these two boys and try to envision the majestic serenity and hidden mysteries of the sea that lies so grandly in front of us.

  1. Andrey DergatchevTitles – Run
    The return (ECM, 2005)
  2. Aidan BakerThe Sea Swells a Bit
    The Sea Swells a Bit… (A Silent Place, 2006)
  3. United Bible StudiesThe Shore That Fears The Sea
    The Shore That Fears The Sea (Deserted Village, 2006)
  4. Harold BuddAs Long As I Can Hold My Breath
    Avalon Sutra (Samadhi Sounds, 2004)
  5. Andrew LilesII
    The Dying Submariner (Beta-lactam Ring, 2006)
  6. This Mortal CoilSong to the Siren
    It’ll End in Tears (4AD, 1984)
  7. Dirty ThreeThe Restless Waves
    Ocean Songs (Touch & Go, 1998)
  8. Richard BucknerAs the Waves Will Always Roll
    Dents and Shells (Merge, 2004)
  9. ObiAfter Thought
    The Magic Land Of Radio (Cooking Vinyl, 2002)

Stream playlist

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Category: Acoustic, Experimental

“Shin to toe, to thigh, to mind”

So it’s summer now… well, almost… and new life has flourished once again, now in full bloom. Once again I apologize for my constant lack of posts, but I have to confess I haven’t been up to it lately, I’ve almost even dreaded getting near this WRITE POST area where the curser blinks like saying “Come on I haven’t got all day you know?” (oddly… in my head, the curser speaks to me in a thick British accent).

This last school term proved to be, rather savage plagued with sleepless nights, guilt-ridden days, apathetic showers and constant visits to the Jim (gym). Somehow I managed to do fairly good, at least in what concerns grades, sentimentally and physically… I was more than drained, exhausted… fed up, if you may.

All of my ailments were caused by the apparition of old ghosts, who apparently arose with the sole purpose of biting my ass and my heart. I think the perfect word I could use to describe my semester was “wavey”… because everything came in waves, good mood, bad mood, worse mood, the crying, the screaming, the jogging…. it all came as it pleased and mostly, it all came when it was least called for, the only constants were the deadly doses of coffee, soy milk and endless internet chats with my best friend. I have no idea how I still have a full functioning nervous system… My best friend insists on calling me “insane”, but I can’t help it… self-destruction seduces me, I find it utterly irresistible. I can’t pull back, I can’t NOT push myself to see where I break, to see how much I can take without giving in to delusions and hallucinations *sigh*.

So… as is usual for all my posts, I’m posting late at night (12.32am says my laptop), and Mandalay has been playing in the background for the better part of an hour now and I decided to finally “wrap-up” this turbulent semester, with some of my all time favorite songs, or at least, a very small portion of those songs. Some of a “laying ghosts to rest” kinda list. So hope you don’t mind me unwinding like this.

1. Mandalay – Insensible
2. Portishead – Wandering Stars
3. A Perfect Circle – Pet
4. Greenskeepers – Back in the Wild
5. The Church – Under the Milkyway Tonight
6. David Bowie – Rebel, Rebel
7. Elliot Smith – Needle in the Hay
8. Kathryn Williams – In a Broken Dream
9. Esthero – Song for Holly
10. George Michael – Brother Can You Spare a Dime
11. Miles Davis – I Thought About You
12. Janis Joplin – Son of a Preacher Man
13. Jimi Hendrix – Castles Made of Sand
14. Lamb – Heaven
15. Massive Attack – Heat Miser

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Category: Acoustic, Bedroom playlist, Electronica, Folk, Jazz, Pop, Rock

Gaspar Fiyah Sound System

gaspar.PNG

Barrington Levy – here I come
Love trio – Rock the rhythm
Ted Leo & the pharmacists – the unwanted things
The Clash – bankrobber (dub version)
Don Carlos – Lazer beam
Matisyahu – Jerusalem
Willie & the brentford rockers – Armagideon version
Linval Thompson – Six Babylon
Keith Hudson – I’m alright

One for the hot days and last of the ‘three Magi’ series (who just loved to smoke all evening and follow stars afterwards) covering Roots, Dub, Ska, Dancehall, Rocksteady, et al. Note that this is not an attempt to provide the “definative” collection, this third installment per example is much pop-oriented and features non-reggae artists (The Clash, Ted Leo) exploring the genre. Rather I just wanted to provide a glimpse of the vast scope of Jamaican influenced music and share some of my favorite songs in these genres with all you fine people. The links for the two previous playlists of this endeavor will continue working for a while so if you haven’t gave them a listen you still get a chance before they’re gone for good.

Can’t barely wait for the dog days of summer.

See also:

Melchior Fiyah Sound System
Balthasar Fiyah Sound System

Photograph: Marcos Lopez.

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Category: Acoustic

In The Mood

Here is a little consolation prize for my much procrastination, a little jazz blog that has yet to materialize. This list is a romanticized history of post bebop jazz, tracking relationships between commercial recording and jazz internal drive, the birth of bebop and all subsequent forms. After the collapse of swing and large dance hall venue, Jazz became small group effort, something that was more suitable form for exploration anyway, riding on then the beginning of modern commercial recording enterprise. All of Miles Davis pre-fusion classic albums comes from this era. E.S.P. for eg. (w/ Herbie Hancock, Wayne Shorter. 1965) was a masterpiece, his second resurgance of cool jazz form with his famous modal composition. It was the height of modern jazz. Another giant was Jimmy Smith who single handedly created the sound for hammond and all subsequent hammond jazz, practically put Blue Note Records on the map next to then giant such as Columbia and RCA records. By late 60′s commercial jazz tried to incorporate pop soul, a much more limited form of music but in high demand. Around this time we see a lot of famous movie and show soundtrack. In the 70′s with the rise of rock and electric guitar, jazz turned fusion. This is despite electric guitar limitation in early model and simply didn’t fit well with jazz program and its huge dynamic range. Shortly after that, Jazz exploded beyond general public interest into all sort of abstract exploration and ceased to become the dominant force in popular recording.

This list comes with all my favorite musicians.

Mood

01. Jimmy SmithBurning Spear (web)
(Livin it up, 1968)
02. Joe HendersonCanyon Lady (web)
(Canyon Lady, 1973)
03. David “Fathead” Newman13th Floor
(Bigger & Better, 1968)
04. Jimmy SmithI Got A Woman (web)
(Home Cookin’, 1959)
05. Miles DavisMood (web)
(E.S.P, 1965)
06. Andrew HillSiete Ocho (web)
(Judgment!, 1964)
07. Gabor SzaboStormy (web)
(Belsta River, 1978)

Note: The last rack rip is imperfect.

see also: wiki
image : Arriving at the horizon, Vidiot

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Category: Jazz

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]