.

In The Mood

Here is a little consolation prize for my much procrastination, a little jazz blog that has yet to materialize. This list is a romanticized history of post bebop jazz, tracking relationships between commercial recording and jazz internal drive, the birth of bebop and all subsequent forms. After the collapse of swing and large dance hall venue, Jazz became small group effort, something that was more suitable form for exploration anyway, riding on then the beginning of modern commercial recording enterprise. All of Miles Davis pre-fusion classic albums comes from this era. E.S.P. for eg. (w/ Herbie Hancock, Wayne Shorter. 1965) was a masterpiece, his second resurgance of cool jazz form with his famous modal composition. It was the height of modern jazz. Another giant was Jimmy Smith who single handedly created the sound for hammond and all subsequent hammond jazz, practically put Blue Note Records on the map next to then giant such as Columbia and RCA records. By late 60′s commercial jazz tried to incorporate pop soul, a much more limited form of music but in high demand. Around this time we see a lot of famous movie and show soundtrack. In the 70′s with the rise of rock and electric guitar, jazz turned fusion. This is despite electric guitar limitation in early model and simply didn’t fit well with jazz program and its huge dynamic range. Shortly after that, Jazz exploded beyond general public interest into all sort of abstract exploration and ceased to become the dominant force in popular recording.

This list comes with all my favorite musicians.

Mood

01. Jimmy SmithBurning Spear (web)
(Livin it up, 1968)
02. Joe HendersonCanyon Lady (web)
(Canyon Lady, 1973)
03. David “Fathead” Newman13th Floor
(Bigger & Better, 1968)
04. Jimmy SmithI Got A Woman (web)
(Home Cookin’, 1959)
05. Miles DavisMood (web)
(E.S.P, 1965)
06. Andrew HillSiete Ocho (web)
(Judgment!, 1964)
07. Gabor SzaboStormy (web)
(Belsta River, 1978)

Note: The last rack rip is imperfect.

see also: wiki
image : Arriving at the horizon, Vidiot

Posted by: .

Category: Jazz

4 Responses

  1. angeles says:

    Nice jazz’s evolution summary and the mysterious shaded picture
    Miles is always outstanding

    cheers

  2. Halli says:

    Good list!

    I’m sure you have listened to his stuff a lot, but Brother Jack McDuff was also an organ loving genius.

    Here’s a link to my post with his ‘Ain’t It’:
    http://www.icomefromreykjavik.com/kontrapunkt/2007/05/er_aggi.html
    (I blog in Icelandic, but just follow all the blue links…)

    I also found it hilarious when I realized that the first song on your list, Jimmy Smith’s ‘Burning Spear’, contains the main bass-melody for 2 Live Crew’s ‘Hoochie Momma’.

    Hah!

    Halli
    Kontrapunkt

  3. squashed says:

    Hey Halli,

    hmm. I have to check the 2 Live crew song. tho’ I hate 2 live crew. I generally don’t do west coast gangsta. But love cool and louder NY sound.

    I’ve only listen to snipped of McDuff. Most of my CD for hammond are Jimmy Smith (a couple, DeFrancesco, John Patton,

  4. Halli says:

    I hear ya, I don’t particularly like 2 Live Crew. They kinda overdo the whole T&A thing (it’s an understatement, I know), so there are actually very few songs of theirs which I can listen to – but ‘Hoochie Momma’ is definitely one of my faves.

Leave a Reply

The song makes its imprint
in the air, making itself felt,
a felt world. Here, there,
the stunned silence

of knowing I will not remember
what I heard;

futures that will never happen,
a fluidity we cannot achieve
except as a child
creating possibility.

This is the untranslatable song
hidden in the earth.

-Untranslatable Song [1]