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Cuando ya no quede nada.

  1. Black Sabbathsupernaut
  2. ZiorI really do
  3. T. RexCadillac
  4. ZZ TopTush
  5. BudgieBreadfan
  6. Captain Beyonddancing madly backwards
  7. The Guess Whono sugar tonight
  8. Blue Cheersummertime blues

Last days in France and bringing them with a whirlwind of hangovers. Tsk, tsk. And in surveying my surroundings here at home, I wonder if I am simply coming home at night to trash my apartment, Motley Crue hotel room-style circa 1986, only without the underage groupies. Sigh. Au revoir, France, á jamais.

Photo: Tedfoo.

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Category: Rock

Turkish Traditional Dance Tunes

Mustafa Kandıralı and Selim Sesler are the two of the most important clarinetist in Turkey. Their ancestors are Gypsy, and second and fifth songs belong to Romani people.

Burhan Öçal is a wellknown percussionist in all around the world.

Baba Zula is a psychedelic group uses turkish instruments in their works. The language is used in this song actually doesn’t exist.

01. Mustafa KandıralıBahriye Çiftetellisi

02. Selim Sesler & Grup TrakyaKiremit Bacaları – Naşti Uşava

03. Mustafa KandıralıMisket

04. Burhan Öçal & Jamaladeen TacumaNihavend Longa

05. Burhan Öçal & Istanbul Oriental EnsembleRoman Oyun Havası

06. Baba ZulaSıpa

photo by Anastassia Zlatopolskaia

Posted by: .

Category: Folk

I think it’s beautiful that you are 256 colors too

  1. Neoncrazy girls
    (Magic Summer / 2004)
  2. Black Moth Super Rainbowrollerdisco
    (Dandelion Gum / 2007)
  3. Grabba Grabba TapeDr. Groxtronik & lil kül lol
    (Kurt Kobaya y G.R.O.X. Man Odia Nirvana / 2006)
  4. Mapsyou don’t know her name
    (we can create / 2007)
  5. Honey is cooltwinkle
    (Crazy love / 1997)
  6. Zach CondonVenice
    (Comp from Believer magazine / 2007)
  7. Vector Loversmelodies and memory
    (Capsule for one / 2005)
  8. Science for GirlsYou’ll never know (net)
    (TBA / 2007)
  9. Manitobachildren play well together
    (Start breaking my heart / 2001)
  10. Mice paradedouble dolphins on a dime
    (self titled / 2007)

A playlist that lies halfway between pop psychedelia & the warm sound of downtempo. Summer’s here. Get all the friends you can eat, dance, let go of an old flame, dream of foreign landscapes, drink 8 glasses of water per day, stop smoking, stay off the internet, don’t take drugs and most importantly, wear sunscreen.

Photo(s): Scuddr, Yohanna, tableshaveturned, pablo korona.

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Category: Electronica, Pop

Summer Temperature: Infinite

No, it’s more a matter of us structuring any particular song to a shape we have in mind. We’re trying to execute it. We’re trying to make sure it moves properly from one thing to another. In a lot of our songs something is stated and then it’s implied, or it’s stated and then it disappears and it comes back later. The pacing of a song is more important than what we’re actually playing. The actual notes we play are not so important. I have to say we don’t give any consideration to the audience when writing songs. Every now and again, we’ll realize we’ve played three boring songs in a row and get self-conscious about it and make sure we don’t play another boring song We’ll play something more exciting but it’s always something that we feel like playing. So it’s like we’re boring ourselves rather than being terribly concerned about anyone else. – Shellac

A sketch of Missing 90′s

01. Shipping NewsLouven (web)
Flies The Fields (Quarter Stick, 2005)
02. Shellac - Watch Song (web)
1000 Hurts (Touch & Go Records, 2000)
03. The Mercury ProgramA Delicate Answer
All The Suits Began To Fall Off (Tiger Style, 2001)
04. Don CaballeroSubdued Confections (web)
For Respect (Touch & Go Records, 1993)
05. Spacemen 3When Tomorrow Hits
Recurring (Space Age Recordings, 1991)
06. The ConstantinesTo The Lullabies
Constantines (Sub Pop, 2001)
07. Bellini - Furious
Snowing Sun (Monitor Records, 2002)
08. Deerhoof - Spiral Golden Town
Green Cosmo EP (Mcd, 2005)

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Note: The missing sound from the 90′s. I think Math rock is highly overlooked innovation that happened in the late 90′s and early 00′s. Not only it brought new sound and unprecedented craftmanship. It also freed rock from contrained of traditional song form. Of course then you will miss the “singing”. Beyond that a lot of time Mathrock albums also are either extra harsh or at the opposite, too atmospheric. The slow and large sound of postrock. (eg Goodspeed). That turns off a lot of people who used to more hummable songs. So here is something in between from my fav. math rock groups. Maybe it works for hot summer day, a bit abstract, dissonance and absolutely 90′s. Just don’t get heatstroke or something. Enjoy.
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see also: mathrock (wiki), Near Mathrock, Warped Reality
image: [banlon1964], [1, 2, 3, 4, 5]

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Category: Best Indie Albums, Rock

Tom Waits / en 10 canciones

01 Alice
02 Clap Hands
03 Step Right up
04 Temptation
05 Red shoes by the drugstore
06 Jockey Full of Bourbon
07 Green Grass
08 Hoist that rag
09 All the world is green
10 Hold on


Te tatúas el nombre de tu novia con un clavo: tienes una canción de Tom Waits. En la madrugada dipsómana, usas los parquímetros como bastones: tienes una canción de Tom Waits. Le disparas constante, inútilmente a la luna llena: tienes una canción de Tom Waits. O te lamentas, en un tugurio de octava, de que las cervezas estén calientes y las mujeres frías: tienes una canción de Tom Waits. Pero, ¿la tienes? Porque sin una voz resquebrajada y lúgubre, trabajada por la perseverante corrosión del bourbon y el tabaco, no tienes nada. E incluso con la voz, te faltaría haber vivido durante años en un cuarto del Hotel Tropicana, en la esquina de Hollywood y Vine, en Los Ángeles. Te faltaría haber debutado en el cine junto a Sylvester Stallone, ni más ni menos. Te faltaría ser un autodidacta del piano, la guitarra e instrumentos mucho menos ortodoxos como el “conundrum” (formado por diversas herramientas de labranza) y el tambor africano parlante. Te faltaría ser asiduo de los peores congales, fondas, cantinas, cafés, cubiles y garitos de tu ciudad, y extraerles su esencia y sabor hasta que formen parte de tus letras, de tus rasposas, divertidas, espesas, sublimes letras. Pero tú no eres Tom Waits ni podrías serlo: los grandes histriones son inimitables y escurridizos, no dejan una escuela sino un rastro de flamazos geniales e irrepetibles. Ahora lo que tienes no es una, sino 10 canciones de Tom Waits. Un regalo que venía envenenado, pero eso ya lo sabías de antemano.
[letraslibres]

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Category: Rock

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]