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Last Kiss for 2007 (Bossa)

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What lies lurk in kisses.
~ Heinrich Heine ~

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Kisses. 2007.

01. Tom ZeQuero sambal meu bem
Soul Jazz Records Presents Tropicália: A Brazilian Revolution in Sound (Soul Jazz, 2006)
02. Quarteto Em Cy & Tamba TrioAgua De Beber
Bossa Nova Singers (2007)
03. Antonio Carlos JobimLamento
Wave (1967)
04. João GilbertoTin Tin Por Tin Tin
Amoroso/Brasil (1977)
05. Stan GetzManha De Carnival
Big Band Bossa Nova (1962)
06. Cannonball AdderleySambops
Cannonball’s Bossa Nova (1962)
07. Luciana SouzaYou and The Girl
The New Bossa Nova (2007)
08. Soul Bossa TrioSally
Soul Bossa Trio (Cubop Records, 1995)

note: I feel completely in holiday mode. So a bossa list is taking over. I’d say this is a perfect end of year list, mellow and light. Strangely enough I am lumping this into “kisses list”, which is basically a series of political entries. Wait and see how this series will evolve.

see also: Heinrich Heine selected Poem, Cries From the Midnight Circus, Let the sun kiss your face.
image: alltheaces

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Category: Jazz, Pop

Only the Sweetest Voice Could Save Me

Photo credit: Joanna Branson

With her debut full-length Faces in the Rocks Nevada City songwriter Mariee Sioux has recorded one of this year’s most breathtaking and haunting albums. I was lucky enough to witness her spine-chilling performance on a beautiful afternoon in Amsterdam several weeks ago. That afternoon her songs seemed enriched with spiritual tales and Native American imagery. Her songs worked very well with just Mariee Sioux on guitar (see video below). What struck me the most that day was that these songs that sounded so sweet and light-hearted on cd, now on stage suddenly evoked a much deeper and distinct feeling of nostalgia and longing. Her eyes were telling tales that were not audible on the album recording to me at first.

As I was sitting there in awe – with a small crowd of maybe eighty people hanging on every word – and watching her sing I had numerous images running through my mind. One of them was the picture as shown above which I randomly came across on Flickr many months ago. Somehow it seemed to capture the tension that I felt that afternoon between light-heartedness and nostalgia quite wonderfully. It also seemed to fit perfectly with a mix that I had already announced previously in a lullabies post. So I decided on the spot to build a mix around this picture and Mariee Sioux’s entrancing performance.

As always my mixes come out rather melancholic, you should probably already know this. Nonetheless I feel that these songs work really well together in portraying a neither downright sad nor cheerful atmosphere, but instead – with sometimes whispery, dreaming voices – bring comfort, joy and sorrow all at once.

Photo credit: Joanna Branson

  1. Mariee SiouxWizard Flurry Home
    Faces in the Rocks (Grass Roots, 2007)
  2. Peggy HoneywellPeach and Yellow
    Faint Humms (Galaxia, 2005)
  3. Kimya DawsonTrump Style
    I’m Sorry That Sometimes I’m Mean (Rough Trade, 2002)
  4. Larkin GrimmLink in Your Chain
    The Last Tree (Secret Eye, 2006)
  5. PantaleimonWe Love
    Mercy Oceans (Durtro, 2007)
  6. TwinSisterMoonDemonized Nature
    When Stars Glide Through Solid (Self released, 2007)
  7. Meg Baird, Helena Espvall, Sharron KrausBarbry Ellen
    Leaves from Off the Tree (Bo’Weavil, 2006)
  8. Sibylle BaierForget About
    Colour Green (Orange Twin, 2006)
  9. Josephine FosterAn die Musik (Schubert)
    A Wolf in Sheep’s Clothing (Locust, 2006)

Stream playlist

Video of that afternoon:
Mariee Sioux (Dwars Festival, Amsterdam, November 11 2007)

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Category: Folk

It wasn’t midnight and it wasn’t raining.

Photograph: Areyoulazy

Each face a saint’s, each world a blasphemy.
Where have our blasphemies gone sailing now?
There, into the Campiello del Squellini,
behind a midnight countess’s flapping cape.

- William Logan. Marco Polo Among the insects (+)

Flying LotusTea Leaf Dancers
(Reset Ep / 2007) (web)
BabytalkKeep on move (Six-leg friend mix)
(Keep on move 12″ / 2007)
Daft PunkAround the world (i:cube remix)
(Unreleased)
LorenzoGet deep
(Get Deep 12″ / 2006)
Moodymann - I can’t kick this feeling when it hits
(Silentintroduction / 1997)
LCD SoundsystemIII
(45:33 / 2007)
Thom YorkeThe eraser (xxxchange remix)
(Unreleased)
Paperclip Peoplethrow
(Throw / 1994)

This playlist started as a collection of 70′s disco music on a rainy midnight, but as the night progressed I started smushing it together with disco-influenced house tunes and by the end of it, it was mostly house music and no trace of the original post remained. Either way, I have to say I’m quite pleased with the results of it. Somehow the vibe and sound of the playlist reminds me of strolling around Barcelona at night: vague, vapid, luminous and active. Right now I’m thinking it could be used as a late nightdrive companion, but that’s up to you. Weekend is arriving early for me.

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Category: Electronica

A la luz del flexo

Photograph: Kalle Gustafsson

Hawaii, Domingo 42 de Diciembre del 321 de la Era Walter. Aprovechando el principio del Verano, invité a Sally a pasar un fin de semana en las playas de Bombay, pero algunos acontecimientos imprevistos nos obligaron a cambiar nuestros planes…

Manu ChaoMerry Blues
(Proxima estación: Esperanza / 2001)
The Boggspoor things
(Forts / 2007)
Gabriel RiosBroad daylight
(Ghostboy / 2004)
Doctor RockitCafé de Flore
(The Asthmatic Worm / 2002)
SeabearTeenage Kicks (the undertones)
(Teenage Kicks 7″ / 2007)
MecanoHawaii-Bombay
(Ya viene el sol / 1984)
Lykke LiLittle Bit
(Little Bit Ep / 2007)
Ariane MoffattMontreal
(Le couer dans la tete / 2005)

I’m really itching to go swimming and it’s out of the question at the moment. For now I’ll have to do with: taking warm showers with music that reminds me of summer. Sleeping half naked. Rum punches. Making love next to the air heater. Buying the cheapest tropical fruits and making myself a juice every morning.

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Category: Pop

Morning Breeze in December (near dubstep)

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The “content” or meaning of the high-tech aesthetic had been a progressive ideal, optimistically conveying a future made better because of technology. Much of that futuristic romance has worn off now, when technology has become commonplace. – somewhere on the net.

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The Modern vs. Electronica

01. Mice ParadeHere Today (web)
Obrigado Saudade (Bubble Core, 2004)
02. Deadbeat - Loneliness And Revelry (web)
Journeyman’s Annual (Scape, 2007)
03. Aphex TwinCome To Daddy (Little Lord Faulteroy Mix) (wiki)
Come To Daddy EP (1997)
04. Boxcutter - Chlorophyll
Oneiric (Planet Mu, 2006) (planet-mu)
05. Thievery CorporationCada Beijo (wiki)
Versions (Eighteenth Street, 2006)
06. Modern InstituteEcm Haircuts (web)
Excellent Swimmer (Expanding Records, 2006)
07. Squarepusher - Squarepusher Theme (wiki)
Feed Me Wierd Things (Rephlex, 1996)
08. McCoy TynerThe Search (wiki)
Land of Giants (2003)
09. Thievery CorporationThis Is Not A Love Song (Nouvelle Vague)
Versions (Eighteenth Street, 2006)

note: A brighter electronica list than the one before. This one combines post-house electronica sound and Jazz/classic. Aphex Twin and Squarepusher being the famous experimentalists. Thievery Corporation embodies the electronica lounge’sound, adopting genres into electronica to create that international feel. I mix McCoy Tyner and new releases to make the point more interesting. Overall this list is very controlled and clean, almost non imposing. Sort of like well designed modern tools. My effort to inject edgier electronica form in standard MdM sound.

see also: Deep Night Dubstep, Coffee, Electronica and 2007
image: Artamnesia

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Category: Electronica, Jazz

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]