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	<title>Comments on: Dream of Order</title>
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	<link>http://www.moteldemoka.com/2008/05/04/dream-of-order/</link>
	<description>Indie MP3 blog mostly rock, pop, folk and electronic</description>
	<pubDate>Sat, 11 Oct 2008 20:02:14 +0000</pubDate>
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		<title>By: squashed</title>
		<link>http://www.moteldemoka.com/2008/05/04/dream-of-order/#comment-269178</link>
		<dc:creator>squashed</dc:creator>
		<pubDate>Mon, 05 May 2008 03:07:14 +0000</pubDate>
		<guid isPermaLink="false">http://www.moteldemoka.com/?p=1425#comment-269178</guid>
		<description>GG interview Tim Paige (3 parts)

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		<content:encoded><![CDATA[<p>GG interview Tim Paige (3 parts)</p>
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		<title>By: squashed</title>
		<link>http://www.moteldemoka.com/2008/05/04/dream-of-order/#comment-269149</link>
		<dc:creator>squashed</dc:creator>
		<pubDate>Mon, 05 May 2008 01:12:53 +0000</pubDate>
		<guid isPermaLink="false">http://www.moteldemoka.com/?p=1425#comment-269149</guid>
		<description>Some awesome clips


Julian Bream self-duet - Luigi Boccherini - Fandango

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Gould plays Goldberg Variations var25

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Aria (Glenn Gould)

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		<content:encoded><![CDATA[<p>Some awesome clips</p>
<p>Julian Bream self-duet - Luigi Boccherini - Fandango</p>
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<p>Gould plays Goldberg Variations var25</p>
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<p>Aria (Glenn Gould)</p>
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		<title>By: squashed</title>
		<link>http://www.moteldemoka.com/2008/05/04/dream-of-order/#comment-269148</link>
		<dc:creator>squashed</dc:creator>
		<pubDate>Mon, 05 May 2008 01:09:34 +0000</pubDate>
		<guid isPermaLink="false">http://www.moteldemoka.com/?p=1425#comment-269148</guid>
		<description>Of the three records that comprise this set, the latter two focus, principally, on the '81 re-recording of the Variations —the recording itself, from May, on the second disc, and an interview with music critic Tim Page, on the third, taped a month before the pianist's death in August, topped off with outtakes from '55. Gould seems well pleased with his most recent Variations, and one has the sense that this is an artist fully believing, rightly or wrongly, that he has at last captured what he wanted to say. The interview is odd, and Gould even provided a script for the men to follow that begins with a third-rate comedy bit, Gould referring to himself as “Sir John,” in attendance to discuss his film, Bridge on the River Hudson. But to listen to the interview that follows, and then to go back and take in the '81 Variations, is to be confronted with a visage that fuses one to one's chair, rather than be forced out of it with glee, as with the earlier Variations. 

http://www.allaboutjazz.com/php/article.php?id=14121
http://en.wikipedia.org/wiki/Bach:_The_Goldberg_Variations</description>
		<content:encoded><![CDATA[<p>Of the three records that comprise this set, the latter two focus, principally, on the &#8216;81 re-recording of the Variations —the recording itself, from May, on the second disc, and an interview with music critic Tim Page, on the third, taped a month before the pianist&#8217;s death in August, topped off with outtakes from &#8216;55. Gould seems well pleased with his most recent Variations, and one has the sense that this is an artist fully believing, rightly or wrongly, that he has at last captured what he wanted to say. The interview is odd, and Gould even provided a script for the men to follow that begins with a third-rate comedy bit, Gould referring to himself as “Sir John,” in attendance to discuss his film, Bridge on the River Hudson. But to listen to the interview that follows, and then to go back and take in the &#8216;81 Variations, is to be confronted with a visage that fuses one to one&#8217;s chair, rather than be forced out of it with glee, as with the earlier Variations. </p>
<p><a href="http://www.allaboutjazz.com/php/article.php?id=14121" rel="nofollow">http://www.allaboutjazz.com/php/article.php?id=14121</a><br />
<a href="http://en.wikipedia.org/wiki/Bach:_The_Goldberg_Variations" rel="nofollow">http://en.wikipedia.org/wiki/Bach:_The_Goldberg_Variations</a></p>
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