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Like a Slumbering Cat

Unfolding Morning

01. Milosh - You Make Me Feel
You Make Me Feel (Plug Research, 2004)
02. Nightmare on WaxArgha Noah
Carboot Soul (Warp Records, 1999)
03. A Silver Mount ZionBlown-Out Joy from Heaven’s Mercied Hole
He Has Left Us Alone But Shafts of Light Sometimes Grace the Corners of Our Rooms (Constellation, 2000)
04. Del ReyEuphrates
A Pyramid For the Living (My Pal God Records, 2006)
05. Death VesselBruno’s Torso (web)
Happy Birthday To Me: Terminal Sales Vol. 3 (Sub pop, 2008)

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A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.

No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth’s diurnal course,
With rocks, and stones, and trees.
- William Wordsworth [pp]

note: Made this list just this morning. One of those slow, almost undefined slumber sound. The feeling one gets after driving all night or very early dawn. Before frisky chill and after late night stretch. It has variety of styles jazz hip-hop, folks, etc, but all in very slow tempo. They sound like post-rock on first glance. Anyway since I imagine there isn’t many practical use for this list except short moment in the morning, maybe this one can go next to the xylophone filled playlist from yesterday.

image: marinegirl, atomicshark, suttonhoo22, gre

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Category: Bedroom playlist, Rock

Star-crossed lovers III

Image: Film Still from In the mood for love.

Columbine takes off her clothes
looks at her body in the pool
A charlatan out of the dusk
praises the tricks to be performed
The sky is colorless and set
with constellations pale as milk

– Guillaume Apollinaire. Twilight.

Neko CaseLook for me (I’ll be around)
Blacklisted (Mint /2002)
Max RoachJanuary V
M’boom (1979)
Tom WaitsAlice
Alice (Anti / 2002)
Air - Playground Love
The Virgin Suicides (2001)
Beth Gibbons & Rustin ManRomance
Out of Season (Go! Beat / 2002)
Nine HorsesIt’s a wonderful world
Snow Borne Sorrow (Rykodisc / 2005)
Wildbirds & PeacedrumsI can’t tell in his eyes
Hearthcore (Leaf / 2008)

Third and final installment of the star-crossed lovers project. With this last one I’m going for darker overtones and smoky beats, trying to form a sound in between magic and nostalgia. Compared to the other two parts which I feel sound good both at dawn and dusk, I feel this one should solely be played at night or on rainy days. hope you enjoy.

see also: Star-crossed lovers, Star-crossed lovers II.

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Category: Bedroom playlist

Sweet pea

Photo: Neil Krug.

Domenic Priore: We were trying to figure out what separates the British Invasion groups from the ’60s Garage Punk bands in America that followed, and when you said “they warped it with Chili Dogs” that pretty much says it all.

Shelly Kidd: Well, because that was part of the pop food of the time. See, you could make a complete study of the era by tying in so many different factors: food, fashion, style and music. It’s all inter-related. And that’s why even though the British may have been “better” than the American bands, or should we say “more evolved,” maybe they could play better, but there’s something about the American bands that the Brits will never have, and that’s the Corn Dog, Chili Dog, you know, crud culture that we have and they don’t. And that’s why it became uniquely American. And I’m not gonna compare the Kan Dells “Cry Girl” with “Satisfaction.” One is primitive, one is embryonic. “Satisfaction” is primitive, but it’s evolved. “Cry Girl” is just, it’s almost like in the mud. It’s like they’re covered in mud, they’re so backwards they’re in, like, dirt huts. It’s unbelievable. There’s no Brit band ever who could have done that, you know?

- An Appreciation of bubblegum pop by Domenic Priore in conversation with Shelly Kidd.

Tommy RoeSweet Pea
Sweet pea (1966)

Jimmy GilmerSugar Shack
Sugar Shack (1963, reissued by Sundazed /1999)
Cyrus Erie feat. Eric CarmenGet the Message
Get The Message 12″ (1969)
Billy Joe RoyalCherry Hill Park
Cherry Hill Park (1969)
Strawberry Alarm ClockBarefoot in baltimore
Incense and Peppermints (1967)
Kim Fowley - Bubblegum
Impossible but true (Ace / 2003)

Daft bubblegum-pop from mid 60′s, probably my favorite period for bin digging, always keep hitting sappy simplistic songs from the era that put a big grin on my face. If you like what you hear, please take some time to read the complete conversation between Priore and Shelly Kid linked above, it makes a fun read if you’re into this sort of music.

Not too many updates around here lately. I sincerely apologize. It’s not so much for the lack of time but for the lack of ideas. I feel my musical taste needs some recalibrating, I’ve spent this week listening to some new stuff because I really feel like I’ve squeezed most of my music collection dry after 3 years making playlists in here with a frequent basis and there hasn’t been many new releases grabbing my attention this year.  Good news is I’m starting to feel like I’ve finally found what I was looking for, an adequate state of mind so to speak. I’m still not quite there yet so it will be a bit of a nostalgia-ride over here in the meanwhile, but I’m close. I swear I feel it coming down to me. Thank you for your patience and hope you’re enjoying your stay with us.

see also: It’s all too beautiful.

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Category: Pop

Acadian Purple

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Fleeting, like smoke. (No.1)

01. 13th Floor ElevatorsLevitation
Easter Everywhere (Snapper UK, 1967)
02. TomorrowAuntie Mary’s Dress Shop
Tomorrow (1968)
03. John FaheySligo River Blues
The Legend of Blind Joe Death (Takoma, 1996)
04. Seeds - Nobody Spoil My Fun
The Seeds (Gnp Crescendo, 1966)
05. New York DollsJet Boy
1st Demos – Blue Rock Studio 1972 (1972)
06. FunkadelicMaggot Brain
Maggot Brain (Westbound Records Us, 1971)
07. Jefferson AirplaneComin’ Back To Me
Surrealistic Pillow (1967)
08. The Jimi Hendrix ExperienceAll Along The Watchtower
Electric Ladyland (Experience Hendrix, 1968)

“A new concept of celebrations beneath the human underground must emerge, become conscious, and be shared, so a revolution can be formed with a renaissance of compassion, awareness, and love, and the revelation of unity for all mankind” -wiki

note: Nostalgia sound. Instead of jazz and soul, this one is blues, folks and psych-rock. One of those songs that send you back several decades back and all of a sudden one sees how it all starts. The form the lick, the attitude. Your ears snap and your mind click… They say, 10 years time lapse is out of date, 20 is retro, 30 is classic and 40 years is timeless. It’s the entire vibe from the late 60′s. It leaps out again from ether of memory. (or so they say. I am making a short series specifically for… you guessed it, smoking. )

see also: Rolling stones ‘Summer of Love”, Razzmatazz
image: rachel waniewski

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Category: Best Indie Albums, Rock

Razzmatazz

Image: Mdm’s Worddle.

1. Sergio Mendes & Brasil 66For What it’s worth
Stillness (1970)
2. Joao DonatoBananeira
Lugar Comum (Dubas / 1975)
3. Jorge BenTake it easy my brother Charles
Jorge Ben (1969)
4. Gary McfarlandBloop Bleep
The in sound (1965)
5. Coconut MonkeyrocketBloop, bleeps, bongos & brass
The Coconut Monkeyrocket split ep (Comfort stand / 2004)
6. Quantic Soul OrchestraFeelin’ good
Pushin’ on (Tru thoughts / 2005)
7. Ellen McilwaineJimmy Jean
We the people (1973)

A sound tribute to bcn’s razzmatazz: touches of samba, funk and bossa, all tasty grooves that do wonders in the correct settings and all personal favorites, so needless to say I give high recommendations on all of these, hope you enjoy.

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Category: Acoustic, Jazz, Pop

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]