I hear ya’ and understand. It’s not just limited to Blues but Blues does have an epiphany about it, in the most illustrative moments of being. It’s there at the right time at the right moment in an collaboration that is somehow seamless, as if waiting to adhere to ourselves at the most necessary moment.

Robert Johnson, Lightning Hopkins and perhaps even Alberta Hunter are some names that I would add to the ensemble delivered by the link you include in the first comment.

http://frank.mtsu.edu/~baustin/blues.html

During the decades of the thirties and forties, the blues spread northward with the migration of many blacks from the South and entered into the repertoire of big-band jazz. The blues also became electrified with the introduction of the amplified guitar. In some Northern cities like Chicago and Detroit, during the later forties and early fifties, Muddy Waters, Willie Dixon, John Lee Hooker, Howlin’ Wolf, and Elmore James among others, played what was basically Mississippi Delta blues, backed by bass, drums, piano and occasionally harmonica, and began scoring national hits with blues songs. At about the same time, T-Bone Walker in Houston and B.B. King in Memphis were pioneering a style of guitar playing that combined jazz technique with the blues tonality and repertoire. (RSR&RE 53)