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Laika y el Eclipse de Margarina

Para Laika. En la tierra hay una perra menos y en el cielo una estrella más.

StereolabCosmic Country Noir
Margerine Eclipse (2004)
SolventA panel of experts
Solvent city (Morr / 2001)
Mouse on MarsSaturday Night Worldcup Fieber
Iaora Tahiti (Too pure / 1995)
Schlammpeitzigerdiscoboingbeach
Spacerokkmountainrutschquartier (A-musik / 1997)
Eine Kleine Nacht MusikFinster
Eine Kleine Nacht Musik (Modular / 2008)

Здесь я имею Потерянные в пространстве. Живые и захоронены остатки Из собак гонки.

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Category: Electronica, Pop, Rock

Stoner Pop or How I Wasted My Summer Weekends.

Photo: Curlytops

An afternoon is a terrible thing to not waste.

Holy ShitRough & Tumble
TBA (Uuar / 2008)
Throbbing GristleWalkabout (Neon Coyote edit)
(blog edit)
Air FranceCollapsing at your doorstep
No way down ep (sincerelly yours / 2008)
Broker/Dealer - Midnight
Traum 100 (Traum / 2008)
Man with guitarMan with guitar
Man with guitar (Kitsune / 2004)

We exist with a wind whispering inside and our moon flexing. Amid the ducts, inside the basilica of bones.
The flesh is a neighborhood, but not the life. Our body is not good at memory, at keeping.

- Jack Gilbert, Kunstkammer.

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Category: Electronica, Pop

Good Rocking Mama (Blues)

Well, it tells the story about women and men. That’s what music is all about. It’s about being human and love and hate. You hear the blues talk about “my woman have left me.” “I love you baby.” “Honey, don’t go.” “Come on back.” You talking about a woman, you talking about a man. They feel different things. Every song I write says something about a human being, just like a man write about a woman. I don’t write about no man! [Laughs.] I wrote about a woman for a song called “Dimples,” you know. [Sings "She got dimples in her jaw."] She says, “Well, I like that,” because it saying good things about her. “She got dimples in her jaw.” “I like the way she walk.” “She wiggle when she walks.” You know, they like stuff like that. You ain’t gonna write a song called “I Hate You-You’re No Good.” They wouldn’t like that! So you got to say good things about women-they love it then. – John Lee Hooker

The Root List

01. John Lee HookerGood Rocking Mama
The Big Soul Of John Lee Hooker (Collectables, 1962)
02. Son HouseDeath Letter
Father Of The Delta Blues (1965)
03. Bo DiddleyShe’s Fine, She’s Mine
Bo Diddley (1955)
04. Captain Beefheart & The Magic BandSure ‘Nuff ‘N Yes I Do
Safe As Milk (Buddha, 1967)
05. R.L. BurnsideWalkin`Blues
A Ass Pocket of Whiskey (Fat Possum, 1996)
06. MinutemenPolarity
What Makes a Man Start Fires? (Sst Records, 1982)
07. Shellac - Song against itself
1000 Hurts (Touch & Go Records, 2000)

note: Something root. When everything is blur, there is always blues to center on. That’s my general take when music turns confusing at least, when I want to create new center of mood. Amazingly it always work. Few tunes above are from my favorite artists, with delicate and precise picking. Dark, soulful, isolated, but fast. Never desperate. I particularly like how tempo pattern change to make the limited blues combinations interesting. They are timeless. Anyway, a short blues list. Root. Timeless.

see also: the blues (PBS), Mapping the Blues Genes: Early Blues Music: 1900-1930
image: puja

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Category: Acoustic, Folk, Rock

peach baobab cedar

Image: Pinamar.

What happened, happened once. So now it’s best in memory – an orange he sliced: the skin unbroken, then the knife, the chilled wedge lifted to my mouth, his mouth, the thin membrane between us, the exquisite orange, tongue, orange, my nakedness and his, the way he pushed my body against the fridge. Beside the stove we ate an orange. And there were purple flowers on the table. And we still had hours.

- Kim Addonizio, Stolen Moments.

Coleman Hawkins & Ben Webster
La rosita
Coleman Hawkins Encounters Ben Webster (1957)
Smokey & Miho
Consolação
The two ep’s (Os Afro Sambas / 2002)
Dexter Gordon
Love for Sale
Go! (1962)
Stanley TurrentineWave
Blue note plays Jobim (2005)
Caetano VelosoManhata
Livro (1999)
Gato BarbieriTupac Amaru
Fenix (Flying dutchman / 1971)

A second bossa-jazz playlist to be joined with my previous post: ‘plum bamboo pine‘. I have to note that most of the music on this two playlists comes from posts that squashed made around summer 2006 and got lost in the motel archives. The songs are too good to pass and lately they’ve been rather good companions for lonely summer evenings so I decided to bring them back from the grave and add a little bit from my collection to the mix.

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Category: Acoustic, Jazz

plum bamboo pine

Image: Inca Pan.

A short playlist with some latin and jazz influences for a relaxed evening with your favorite pets and gin cobblers.

Yusef LateefThe Plum Blossom
Eastern sounds (Prestige / 1961)
Nina SimoneSee-line Woman
Broadway-blues-ballads (1964)
Kenny BurrellMoon and Sand
Moon and sand (Concorde / 1979)
Dorothy AshbyLonely girl
Afro-harping (1968)
Fortin-LéveilléSoleil
Soleil (e.d.p. / 1997)
Jorge BenOba la vem ela
Forca Bruta (dusty groove /1970)

Anyone who falls in love is searching for the missing pieces of themselves. So anyone who’s in love gets sad when they think of their lover. It’s like stepping back inside a room you have fond memories of, one you haven’t seen in a long time.

- Haruki Murakami, Kafka on the shore.

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Category: Acoustic, Bedroom playlist, Hip hop, Jazz

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]