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Our Moment Our time 1

In Justice as fairness, then, the equal basic liberties are the same for each citizen and the question of how to compensate for a lesser liberty does not arise. But the worth, or usefulness, of liberty is not the same for everyone. As the difference principle permits, some citizens have, for example, greater income and wealth and therefore greater mean of achieving their ends. When this principle is satisfied, however, this lesser worth of liberty is compensated for in this sense: the all-purpose means available to the least advantaged members of society to achieve their ends would be even less were social and economic inequalities, as measured by the index of primary goods, different from what they are. The basic structure of society is arranged to that it maximized the primary goods available to the least advantaged to make use of the equal basic liberties enjoyed by everyone. This defines one of the central aims of political and social justice. – John Rawls. The Basic Liberties and Their priority. (pp.23)

Five Days till Voting day Reminder

01. Captain Beefheart & His Magic BandMoonchild
The Legendary A&M Sessions (White Label Edsel Records, 1966)
02. Bratmobile - Panik
Pottymouth (1993)
03. MinutemenShit You Hear at Parties
The Politics of Time (Sst Records, 1984)
04. The Jesus LizardWhirl
Liar (Touch & Go Records, 1992)
05. ShellacMovement 4
Futurist (self-released, 1997)
06. Husker DuPink Turns to Blue
Zen Arcade (Sst Records, 1983)
07. Dressy BessyWho’d Stop The Rain
Electrified (Transdreamer, 2005)

note: Reminder that voting day is next Tuesday.

image: january20th2009

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Category: Best Indie Albums, Rock

Imperial Lounge No.7 (Green, Pink, no Electric)

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The first part of Bruner’s review is organized around the three dimensions of musical sound (time, pitch, texture). It establishes that the constituent properties of music can evoke predictable main and interactive effects. For example, music pitched in minor keys tends to be perceived as sad; music played at a fast tempo tends to be perceived as arousing. – Kellaris. Handbook of Consumer Psychology. Music and Consumer. (pp. 840)

The Metric use of Lounge

01. ThunderballSolar
Modular Systems (Eighteenth Street, 2001)
02. The Lounge LizardsThe Birds Near Her House
Queen of All Ears (Strange & Beautiful, 1998)
03. Kevin YostDrums Delicious
Om Lounge 3 (Om Records, 2000)
04. Boozoo BajouUnder My Sensi (Les Demon Flowers Mix)
Boozoo Bajou: Remixes (Stereo Deluxe, 2003)
05. Cut ChemistMotivational Speaker
The Audience’s Listening (2006)
06. Cut Chemist(My 1st) Big Break
The Audience’s Listening (2006)
07. Isaac HayesTheme From Shaft
The Very Best Of (2007)
08. Infected MushroomElevation
Infected Selection by SMB (Reincarnate Music, 2008)
09. Adam GuthShalom
Shalom (1999)

note: This series hasn’t been updated in awhile. Here is, I think, the secret of good lounge list. It should be like soda pop. It’s sweet, bubble, readily accessible. But it should not leave after taste. It should be memorable yet forgetable. It should not have after taste since it is infinitely consumable. It is indeed very expensive, well made and not common, but at the same time cannot let the popular out of sight. So when it comes to lounge list and downtempo, it’s all about selecting the exotic and elegant that goes together with the standard. .. well, that’s for No.7. Six part standard, one part free jazz, one part pop soul and nine part MdM secret powder. I hope it works, at least as a nice late night lounge list.

see also: Imperial Lounge No.6

image: marimoon

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Category: Electronica, Hip hop, Pop

My blood is clean Pt. 5

  1. Maurizio Ravalico / Ollie BownDuetto (Part 1)
    An Introduction To Not Applicable (Web Release)
  2. HarukiGallop On Off
    Haphazardly, While Sitting (Corps-Morts / 2008)
  3. GoldmundTo
    Two Point Discrimination (Western Vinyl / 2007)
  4. Bird ShowMbira, Harp & Voice
    Bird Show (Kranky / 2008)
  5. ClogsPitasi
    Sticks music (Brassland /2004)
  6. Emmanuelle ParreninL’Écharpe De Soie
    Maison Rose (Ballon Noir / 1977)
  7. Six Organs of AdmittanceProcession of Cherry Blossom Spirits
    School of the Flower (Drag City / 2005)
  8. Baka PygmiesYeli
    Heart of the Forest (Crammed Discs /1993)

All I do is what my flesh can do, yet everything my flesh can do feels strange.
I am the swelling of a salt sea onto an armature of chalk, the calm of a tidal pool where brain cells live, the wind, the lightning storm where thought flares into thought.
I taste damp sparks inside my tongue. If sayings gather under the name of Faith, or Art, I let them when they let me let them, and my mind clears.

- Brooks Haxton, I Am.

see also: My blood is clean Pt. 1, Pt. 2, Pt. 3, Pt. 4.
Photos: matteo perina, merel, iamjackie, agneskarin, 宝 宝

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Category: Acoustic, Folk

California Note

The secret of surrealism was that the most banal reality could become surreal, but only at privileged moments, which still derived from art and the imaginary. Now the whole everyday political, social, historial, economic reality is incorporated into the simulative dimension of the hyperrealism; we already live out the “aesthetic” hallucination of realty. – Baudrillard. Selected writings. Symbolic Exchange and Death. pp 146

Sunday note.

01. The Pernice BrothersCronulla Breakdown
The World Won’t End (Ashmont Records, 2001)
02. Six Organs Of AdmittanceWind In My Palm
Compathia (Holy Mountain, 2003)
03. Elica - Ebenalp
Asymmetrica (Very Important Music, 2007)
04. PaavoharjuUrsulan uni
Laulu Laakson Kukista (Fonal, 2008)
05. The Skygreen Leopards6
I Dreamt She Rode on a Pink Gazelle & Other Dreams (Jewelled Antler, 2001)
06. Fontella BassSince I Fell For You
Rescued: The Best of Fontella Bass (1992)
07. VetiverBlue Driver
A Thing of the Past (Gnomesong, 2008)

note: A list that supposedly goes together for certain state of mind. Not exactly day dreaming nor blissful, but definitely suspended. California style. Think of it like grand movie, absolutely cinematic. It is about sensation and color, but no narrative. Because all the story has been told. What’s left after the story is what this list is about … or at least that’s what I was thinking. Anyway, have a nice weekend.

also visit these west coast blogs: Speed of Dark, Rawkblog

image: kate orne

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Category: Folk, Rock

Kaya Kink: Punky Reggae Party

  1. SizzlaBlack Woman & Child
    Black Woman & Child (Greensleves / 1997)
  2. M.I.A.Sunshowers
    Arular (XL / 2005)
  3. Steel An’ SkinReggae is here once again
    Afro Punk Reggae (Honest Jons / 2008)
  4. Tosca - Gute Lane
    Dehli9 (K7 / 2003)
  5. Nickel eyeBrandy of the Damned
    Time of the Assasins (RTR / 2008)
  6. The BeatMirror in the bathroom
    Mirror in the Bathroom single (1980)
  7. The CongosArk of the Covenant
    Heart of the Congos (1977)
  8. Harrisons - Dear Constable
    No fighting in the war room (Melodic / 2007)

With this last post of the series I close the kaya kink circle. The overall sound explored finally starts to fit in, doesnt it? In my particular vision of London, I hear an engagement with  Jamaican culture that has deeply entrenched itself into the sonic landscape of the city since the late 70′s and it has played a vital role in making Britain’s capital the vibrant and multicultural place it is today.

It is this very multiculturalism, by the way, which gave me plenty of trouble when arranging these series of posts. I kept substracting and adding sound and in the end I don’t feel like I’ve succesfully explored the British soundscape. But, then again, it would take more than 3 posts to even hint at all the musical influences coming in and out of the capital on the past century.

Previously: Midnight Marauders, Terpsichore.
Photos: Fusaka

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Category: Acoustic, Rock

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]