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Run world, run!

from_gooma_by_marc_bell

Drawing: by Marc Bell

Music is the second casting of the world.
- Nietzsche

  1. Terry Hall & Mushtaq A Gathering Storm
    The Hour of Two Lights (Astralwerks, 2003)
  2. Staff Benda Billi Avramandole
    Tres Tres Fort (Crammed, 2009)
  3. Iva Bittová Blazen
    Ne nehledej (BMG, 1994)
  4. Group of men performing with charangos and guitars Chimaycha
    Traditional Music of Peru Vol. 6. (Smithsonian Folkways, 2001)
  5. Ayarkhaan (Айархаан)Deybiir Yryata
    Dobun Duoraan (Sounds of ancient land of Olonkho) (2005)
  6. Mali Music Institut National Des Arts
    Mali Music (Honest Jon’s, 2002)
  7. Young men Kasa Odori (Young men)
    Traditional Folk Dances of Japan (Smithsonian Folkways, 1959)
  8. Thao Vong and Thao Som Melodies for Two Khenes
    Anthology of World Music: The Music of Laos (Rounder, 2000)
  9. Unknown ArtistTangara Rave Kue
    Kosmfonia Mbya Guarani by Guillermo Sequera (O morto q fabla /2006)
  10. Henry Kaiser And David Lindley The Exiled Men
    The Sweet Sunny North (Shanachie, 2000)

note:  Who makes the world run?  Do we need a watchmaker to oil the gears and replace the rusted parts?  What kind of shoes does the world wear?  Does the early bird really get the worm?  Are fungi and nematodes necessary?  How about a wheelbarrow?  It seems to be humming an odd tune.  Maybe there is something caught in it.  Is it dragging something behind?  Call to it.  Take it for a walk.  Make a dance with a wire.  Clear your throat.   Is anyone home?  Knock on the door and let yourself in.  I apologize for the mess.  The other people just left and didn’t pick up after themselves.  We know who they are.  Why pay people to tell us who made the mess when we already know.  Lets just clean it up and get on with things.

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Category: Experimental, Folk

Murmuring about the Future

Can art be a vehicle for political change? Yes, I assume that a large part of Blair’s appeal (like Kennedy’s) is aesthetic, just as a large part of the Nazi appeal lay in its triumph of the will aesthetic. I suspect that many of the great cultural shifts that prepare the way for political change are largely aesthetic. A Buick radiator grille is as much a political statement as a Rolls Royce radiator grille, one enshrining a machine aesthetic driven by a populist optimism, the other enshrining a hierarchical and exclusive social order. The ocean liner art deco of the 1930s, used to sell everything from beach holidays to vacuum cleaners, may have helped the 1945 British electorate to vote out the Tories. -JG Ballard interview

What I don’t like about most pop albums is also what I don’t like about sugar. I feel elated for a while, but then the inevitable crash arrives and I swear it off for good. And though I always end up coming back for more, I can’t say that sugar sustains me. What I like about certain pop albums is when there’s something sickly at their core: Once the saccharine high wears off, I can still explore the muck and the sour, which do sustain me, and keep me intrigued. -Carrie Brownstein

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Jazzy Itteration

01. Eve RisserLine
Around Robert Wyatt (Bee Jazz, 2009)
02. Dj KrushInto The Water
Krush (Shadow Records, 1995)
03. New York Ska-Jazz EnsembleNaima
Low Blow (Grover, 1997)
04. Pan•Americanfor ”aiming at the stars”
white bird release (Kranky, 2009)
05. Vidulgi OoyoOMurmur’s Room
Aero (Fargo, 2008)
06. Jurassic 5If You Only Knew
Power In Numbers (2002)
07. Anita O’DayLittle Girl Blue
Anita O’Day and Billy May Swing Rodgers and Hart (1960)

note: One of those list. Choose several songs, put it inside mental blender and see what list comes out. I started with thinking, can I make some sweet pop list that doesn’t offend the “Lexus generation” listener of NPR (long story), but yet couldn’t possibly be aired on NPR. Not in this mix at least. But yet the list should make sense. What is something futuristic that is made out of known popular style. So, this is a straight forward jazz list, but in various recent pop manifestation. Almost holding up together. And I hope it’s pop yet not exactly mundane. I particularly like NY Ska rendition of John Coltrane’s Naima. The rest are standard MdM sound. cheers.

image: gonzalo_ar

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Category: Jazz, Pop

The Contours of Perfect Distance

Photo: Hamed Masoumi

Some folk music to unwind a bit and softly roll into a more reflective state of mind. But certainly no dreamy stuff either, there’s plenty of foot tapping and head nodding going on. Based on the photo, it was supposed to be much more ambient-folk oriented but once the list started to take its definite form, more and more traditional song-based pieces forced their way in. These songs did a good job in accompanying me into the countryside in the weekends over the last couple of weeks. Great for staring off into the distance.

It was this morning I led my horse through a field of sunken arrows
From a river to its source an open quarry aflood in crimson
And from a thicket I watched you there
Letting down your great rolls of golden
Your eyes were flashing and nostrils flared
As there before me you dove in deeply
And when upon the shore you swam
I was waiting with warm embracing

~ Micah Blue Smaldone / The Red River ~

  1. Silent Land Time MachineThe Contours of Perfect Distance
    & Hope Still (Time-Lag, 2008)
  2. Anne BriggsWillie O’ Winsbury
    Anne Briggs (Topic, 1971)
  3. Micah Blue SmaldoneThe Red River
    The Red River (Immune, 2008)
  4. Fire on FireFlight Song
    The Orchard (Young God, 2008)
  5. Trembling BellsWillows of Carbeth
    Carbeth (Honest Jon’s, 2009)
  6. Head of WantastiquetMortange
    Mortagne (Ecstatic Yod, 2008)
  7. Karen DaltonKatie Cruel
    Green Rocky Road (Delmore, 1962)
  8. United Bible StudiesHellical Rising
    The Shore That Fears The Sea (Deadslackstring, 2006)
  9. Peter DelaneyIf You Become Impossible
    Duck Egg Blue (Self released, 2007)

Stream playlist
Download playlist

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Category: Folk

Everything I like has gone

Photo: Guy Sargent.

He remembers what the brown owl sounded like while he was sleeping.
The man wakes in the frigid morning thinking about women.
Not with desire so much as with a sense of what is not.

Many days in the woods he wonders what it is that he has for so long hunted down. We go hand in hand, he thinks, into the dark pleasure,
but we are rewarded alone, just as we are married into aloneness.

- Jack Gilbert, Not the Happiness but the Consequence of Happiness.

  1. TindersticksUntil the Morning Comes
    Waiting for the Moon (Beggars /2oo3)
  2. Scott MatthewAmputee
    Scott Matthew (Defend / 2008)
  3. The Bony King Of NowhereEverything I Like
    Alas My Love (Helicopter / 2009)
  4. Tord Gustavsen TrioCurtains Aside
    The Ground (ECM / 2005)
  5. Charlie ParkerLover Man
    Ornitology (Naxos / 2006)

note:  A slight transition from mellow folk rock to jazz, I guess I’m trying to channel some sort of forlorn and romantic lullaby mode in here. Probably too much of a lysergic start for the weekend, but come Sunday I promise you’ll be grateful to find these ones in your collection.

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Category: Folk, Jazz

Inner Space

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“A schizophrenic out for a walk is a better model than a neurotic lying on the analyst’s couch. A breath of fresh air, a relationship with the outside world.”

- Deleuze & Guattari, Anti Oedipus: Capitalism & Schizophrenia, 1972

James HarpmanMoving Parts
(G-Spots: Music from the Studio Library, Trunk Records, 2008)
Sven LibaekInner Space Theme
(Ron & Val Taylor’s Inner Space OST, Festival Records, 1973)
Andras Fox - Silverbird
(Unreleased, 2007)
The AvalanchesTonight
(Since I Left You, XL recordings, 2001)
Fred WeinbergElectra-Loo
(Luke Vibert’s Nuggets, Lo Recordings, 2001)
Stro…from the ProcussionsPlay This Song
(Metro Sampler Line 2, Metro records, 2008)
DaedelusFemme Fatal
(A Gent Agent, Laboratory Instinct, 2004)

note: Library music, a cut from a shark documentary soundtrack, reversing, crackle, wonky things occupying the parallax space between inside and out. That warm fuzzy feeling of being slightly detached from reality.

pic: author’s

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Category: Bedroom playlist, Electronica, Experimental, Folk

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]