Aug 4, 2009
The Political Economy of Passion
The only way to make love worthwhile is without caution.
- Kahimi Karie – Habanera
Trapeziste (2003) - Roberto Cardoso – Taquito Militar (Milonga Porteña)
Guitarra (Dial, 1999) - Susana Baca – De los Amores
Eco de Sombras (Luaka Bop, 2000) - Shigeru Umebayashi – 2046 (Rumba version)
2046 (2004) - Brigitte Fontaine – Il se passe des choses
Brigitte Fontaine… est Folle (Saravah, 1968) - Love – A House is not a Motel
Forever Changes (1967) - Scott Walker – The Old Man’s Back Again
Scott 4 (1969)
Tango is a practice already ready for struggle. It knows about taking sides, positions, risks. It has the experience of domination/resistance from within. Tango, stretching the colonized stereotypes of the latino-macho-Catholic fatalism, is a language of decolonization. So, pick and choose. Improvise. Hide away. Run after them. Stay still. Move at an astonishing speed. Shut up. Scream a rumor. Turn around. Go back without returning. Upside down. Let your feet do the thinking. Be comfortable in your restlessness. Tango.
– Marta E. Savigliano, Tango and the Political Economy of Passion.
keep up the great work!
love this post heaps – was not expecting some of those sounds when i clicked play…
delicious.
thanks for introducing me to susana baca what a voice
My son told me to check out your blog and I must say I’m impressed, very helpful.
AMAZING