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March in like a lion…

The brink-of-Spring-Winter-blues are contagious… much like good music. Below is a quick soundtrack to close out the cold, hush the hibernation, and ease on down the road to a seasonal rebirth – enjoi.

ilalcover

First a howling blizzard woke us, then the rain came down to soak us; and now before the eye can focus – Crocus. ~Lilja Rogers

Analogue Transit – Analogue
(Gearheart/ 2009)
Analogue Transit – Projector…
(Gearheart/ 2009)
Fever Ray – If I Had a Heart
(Fever Ray Deluxe LP/ 2009)
Fever Ray – Seven
(Fever Ray Deluxe LP/ 2009)
Port O’Brien – My Will Is Good
(Threadbare/ 2009)
Hird – Fading Blues
(Moving On/ 2005)
Hird – Water Under My Bridges
(Moving On/ 2005)
Port O’Brien – I Woke Up Today
(All We Could Do Was Sing/ 2008)

Photo Credit: Sekator

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Category: Acoustic, Electronica, Experimental

Katrina: The Anti-Versary; Re-Define 8/29

147897952_0cb5c2b6f6

If you think this tragedy is over think again. There are still families out there in corners of this country trying to figure out what they are going to do to get their lives back to some normalcy. There are so many musicians who were well known in New Orleans that are totally unknown where they are now. Imagine building your fanbase or your work base in your workplace and suddenly it all disappears. – Jeff Beninato

Professor Longhair Big Chief
(Big Chief/ 2002)
Dr. John Dream Warrior
(Re-Define 8/29/ 2009)
Johnny Sansone Poor Man’s Paradise
(Re-Define 8/29/ 2009)
John Rankin If I Ever Cease to Love
(Re-Define 8/29/ 2009)
James Andrews One, Two, What You Gonna Do
(Re-Define 8/29/ 2009)
Barry Cowsill Kid
(Re-Define 8/29/ 2009)
Susan Cowsill Who Knows Where the Time Goes
(Re-Define 8/29/ 2009)
Spencer Bohren Long Black Line
(Re-Define 8/29/ 2009)
Twangorama Who Can I Turn To – My Romance
(Re-Define 8/29/ 2009)

note: (a la Moka) remember 2005? New Orleans does, because in many parts of the city people wake up to August 29, 2005 every single day — still. The heart of New Orleans is the soul of the country; their music is a lifeline for millions of people the world over. Though Katrina broke the levees, she did not break their spirit. Tides continue to roll, and somehow the FEMA trailers are becoming as much a part of the city as beignets, brass bands, and Bourbon Street. What happens to a dream deferred? Ask 9th Ward musicians like Jeff Beninato, founder of the New Orleans Musician’s Relief Fund. The fund was started to get instruments back in the hands of local musicians, and in the midst of a stalled government reconstruction effort, NOMRF is catalyzing the grassroots reconstruction effort to revitalize the heart of the city and soul of the country — one string at a time. Re-Define 8/29 is a compilation album featuring local, and national, musicians who’ve come together to redefine Post-Katrina 8/29. A dream deferred is not dead, and neither is New Orleans.

NOMRF
Home Page
Download: Re-Define 8/29

sidenote: I started off with Professor Longhair because before Katrina deferred the dream, Big Chief was anthemic Nawlins soul.
image: robholland

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Category: Acoustic, Folk, Jazz, Soul

May Sera, Sera

slices
Music imitates life: the richest works are those with subtle progressions, elevating you to the finale without losing the foundation.

The Mars VoltaTira Me A Las Aranas
(De-Loused in the Comatorium/ 2003)
DaedelusSoulfulof Child
(Invention/ 2002)
Radiohead15 Step
(In Rainbows/ 2007)
BjorkIn the Musicals
(Selmasongs/ 2002)
AirCherry Blossom Girl
(Talkie Walkie/ 2004)
Bex ft. Click OKSoft Clip
(ACIDPlanet/ 2009)

Sidenote: Ello again motel dwellers. I’ve been away for awhile, balancing on the proverbial precipice — graduating and celebrating the climactic-in-its-own-way 22nd birthday. Now I’m back — to basics. There’s no definitive theme here, just a quick list of what this May Baby hears when her month in ’09 comes to mind.

Photo credit: Free2bJ.C.Slices

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Category: Electronica, Pop

Cupid’s Chokehold

Oh love. Timelining through Cupid, St. Valentine, Aphrodite — more so her son Hermaphrodite, Cyrano de Bergerac, van Gogh,  John Lennon and Yoko Ono, Ike and Tina, the list. goes. on. For love to be so romanticized, it is quite a trying ordeal. On this most noted of all days dedicated to love, I’ve decided to venture down the road far less desired, but far more traveled. This path of great resistance may be long and arduous, but it makes for quite the soundtrack. It’s baneful. It’s adulterous at times. It’s abasing. It’s abstract and all-consuming. It’s fleeting. But, inevitably, it’s love. So for what it’s worth: enjoi.

Yael NaïmToxic
(Yael Naïm/ 2008)
Lily Allen
- Womanizer
(Unreleased/ 2009)
Madcon - Beggin’
(So Dark the Con of Man/ 2008)
Mark RonsonValerie ft. Amy Winehouse
(Version/ 2007)
CakeLove You Madly
(Comfort Eagle/ 2001)
Jill Scott ft. Rare EssenceIt’s Love
(Who Is Jill Scott?: Words and Sounds, Vol. 1/ 2001)

Sidenote: A quick and dirty list lingering on the fringe of lunacy and true love.

photo credit: flowers and fireworks, ryan mcginley

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Category: Acoustic, Hip hop, Motel de Moka

Shadow’s Cast

To light a candle is to cast a shadow
- Ursula le Guin

DJ ShadowBuilding Steam with a Grain of Salt
(Endtroducing. . . . ./1996)
Daedelus - Pursed Lips Reply ft. Sach
(Invention/ 2002)
DJ ShadowWhat Does Your Soul Look Like? (Part 4)
(Endtroducing. . . . ./ 1996)
Daedelus - Perchance a Bit
(Invention/ 2002)
DJ ShadowSix Days
(The Private Press/ 2002)
Radiohead - The Gloaming (DJ Shadow Remix)
(Would You Buy A War From This Man? 7″/ 2004)
DJ ShadowFixed Income (Remix)
(The Private Press/ 2002)
Aceyalone - Forward
(A Book of Human Language/ 1998)
DJ ShadowIn/Flux
(In/Flux / Hindsight/ 1993)
Aceyalone & RJD2A Beautiful Mine
(Mad Men: Music from the Series, Vol. 1/ 2008)

sidenote(s): Piggybacking off of InsideOut — kind of — I put together a bit of a year-end wind down list. DJ Shadow’s groundbreakingly legendary tracks have been the soundtrack of my 2008; so what better way to reflect on the year than to offer a sonic sampling of my mode and mindset during the past 12 months. To cut the monotony, I mixed a few of my personal favorites — many of whom came in as very close seconds on the 2008 iPod play count, and many of whom find inspiration in the Shadow. Aceyalone is a Los Angelean legend on the mic. Daedelus uses an incredibly innovative merger of almost-Baroque, ambient, and drum ‘n bass to create a strikingly distinctive sound. RJD2 needs no introduction; but for fairness’ sake, he uses sampling to emphasize the roots of hip-hop through soul and fundamental drum ‘n bass beats. So here’s my year to segue you into a splendiforous 2009 — enjoi.

photo credit: aleXpro3 via brooklyn Art Project.com

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Category: Hip hop, Jazz

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]