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Western acoustic bodies

Photo: haimtov

LE BEAU: The eldest of the three brothers wrestled with Charles, the duke’s wrestler. Immediately, Charles threw the brother, breaking three of his ribs; it’s not likely he will survive. Chares did the same to the second brother, and the third. They’re lying over there, and the poor old man, their father, weeps so piteously over them that the whole audience has joined him in grieving.
ROSALIND: Oh, dear!
TOUCHSTONE: But tell me, monsieur-what sport are the ladies missing?
LE BEAU: Why, the one I just told you about.
TOUCHSTONE: Men must be getting wiser every day; that’s the first time I’ve heard that rib-breaking was appropriate entertainment for ladies.
CELIA: Me too, I swear.
ROSALIND: Doesn’t anyone else want to see this, and hear breath wheezing out from broken ribs? Does anyone else love rib breaking? Shall we go watch this wrestling, cousin?

William Shakespeare – As You Like It

01. Ane BrunTo Let Myself Go
A Temporary Dive (V2 North America / 2006)
02. Ani Di FrancoSwim
Educated Guess (Righteous Babe / 2004)
03. Damien RiceCannonball
O (Vector Recordings / 2003)
04. Emiliana TorriniSunny Road
Fisherman’s Woman (Rough Trade Us / 2006)
05. Emiliana TorriniSunny Road Manasseh Mix
Luftkastellet, Vol. 3 (Music for Dreams / 2006)

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Category: Acoustic

Almost casio pop

Images: [1] [2] [3] [4]

It was a time when technology was king, status was determined by your high score, and videogames were blitzing the world…From Pong to Pac-Man, Asteroids to Zaxxon–more than fifty million people around the world have come of age within the electronic flux of videogames, their subconscious forever etched with images projected from arcade and home videogame systems.From the first interactive blips of electronic light at Brookhaven National Labs and the creation of Spacewar!

Van Burnham – Supercade

01. New BalanceRole Model
(A New Fragrance / 2005)
02. Trash 80Icarus
(unreleased)
03. BrunaLost And Found (not found rmx by MAT64)
(Milky Disco / 2007)
04. Trash 80Sodium Sonet
(Unreleased)
05. Crystal CastlesAlice Practice
(Crystal Castles / 2008)

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Category: Electronica

Into the wild space

Image: EnzoDavide

Dave Bowman: Hello, HAL do you read me, HAL?
HAL 9000: Affirmative, Dave, I read you.
Dave Bowman: Open the pod bay doors, HAL.
HAL 9000: I’m sorry Dave, I’m afraid I can’t do that.
Dave Bowman: What’s the problem?
HAL 9000: I think you know what the problem is just as well as I do.
Dave Bowman: What are you talking about, HAL?
HAL 9000: This mission is too important for me to allow you to jeopardize it.
Dave Bowman: I don’t know what you’re talking about, HAL?
HAL 9000: I know you and Frank were planning to disconnect me, and I’m afraid that’s something I cannot allow to happen.
Dave Bowman: Where the hell’d you get that idea, HAL?
HAL 9000: Dave, although you took thorough precautions in the pod against my hearing you, I could see your lips move.

Quote from “2001: A Space Odyssey”

01. GrowingLateral
(Lateral / 2008)

02. LindstromI Feel Space
(It’s a Feedelity Affair / 2006)

03. Jersey Devil Social ClubChild 13
(Milky Disco / 2007)

04. Cloudland CanyonDambala
(Silver Tongued Sisyphus / 2007)

05. EluviumAs I Drift Off
(When I Live by the Garden and the Sea / 2006)

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Category: Electronica, Motel de Moka

Virgo virago & vikings

Image: KiddyGrade

With striking frequency, roman female martyrs were describer by their authors as having masculine characteristics. Perpetua stared with a virile gaze directly into the eyes of their attackers, and not with the submissive look of a MATRONA. Blandina’s strengh is compared with that of a male athlete. The “masculinization” of the courage of the female marthyrs enters into a field of tension with the protection of their chastity. They are at once VIRAGO e VIRGO. The first virgins were in other words portrayted as heroines with the qualityes of a gladiator, and as virgins they died a “virile” death.

Johan Leemans, Jürgen – More Than a Memory

01. BjorkWanderlust (Ratatat remix)
(Wanderlust / 2007)
02. Lykke LiComplaint Department
(Youth Novel / 2008)
03. CocorosiePromise
(The Adventures of Ghosthorse and Stillborn / 2007)
04. Joanna NewsomBridges And Balloons
(The Milk-Eyed Mender / 2004)
05. The KnifePass This On
(Deep Cuts / 2006 / Phantom Sound & Vision)

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Category: Pop

Viejo tanguero

Photo: Afremov

At this critical point in the story, it is necessary to take account of what seems to be the only coherent eyewitness description of the birth of the tango. This striking piece of evidence was brought to light by Josè Gobello, one of the wisest and most knowledgeable writers on the history of the tango and lunfardo and the moving spirit of the Academia Portena de Lunfardo (the main body that studies the traditional popular culture of Buenos Aires) since its creation in 1962. It is contained in an article printed on 22 september 1913 in Critica – Buenos Aires’ firts mass-circulation popular newspaper, itself founder only a few days earlier. The author signed himself Vieio Tanguero: he has never been definitely identified, but on the evidence of the piece he was an educated man who knew what he was talking about. Althrough the article was written thirty years after the events he describes, its testimony is impossible to ignore.
Viejo tanguero’s most serious claim is taht in the year 1877 the African Argentines of Mondongo (an area on the western side of the centrally located barrio of Monserrat) improvised a new dance, which they called a tango and which embodied something of the style and movements of the candombe. Couple danced it apart rather then in an embrace. Groups of , who apparently had the habit of visiting African Argentine dance venues and then parodying the gestures and movements they saw there, took this “tango” to Corrales Viejos – the slaughterhouse district – and introducet it to the various low-life enstablishments where dancing took place, incorporating its most conspicuous features into the milonga. From Corrales Viejos, according to Viejo Tanguero, , this new way of dancing the milonga spread rapidly to other districts. At this distance in time, we have no way of corroborating his claim, but an interesting confirmation that something like this was going on may be found in a book of Ventura Lynch published in 1883. According to Lynch, “the milonga is danced only by the compadritos of the city, who have created it as a mockery of the dances the blacks hold in their own places”. Moreover, Lynch further testifies to the popularity of the milonga at the time when it was undergoing this obviously important modification.

Nouzeilles & Montaldo – The Argentina Reader: History, Culture, Politics

01. Daniel MelingoPequeno Paria
(Maldido Tango / 2008)

02. Luis BacalovIn bicicletta
(Il Postino [The Postman] / 2006)

03. Daniel MelingoMontmartre De Hoy
(Maldido Tango / 2008)

04. Ruichi SakamotoTango
(Smoochy / 2007)

05. Gotan ProjectVuelvo Al Sur
(La revancha del tango / 2003)

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Category: Folk

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]