.

Attack of the beards…

I’ve been hanging out in places on the net recently where the buzz is all about the Cosmic/ Balearic/ Beardo/ New Disco/ Edit revival. It’s already been pointed out by at least one person that the ‘scene’ is pretty similar in nature to the electro revival that began back at the beginning of the noughties. That revival seemed to come to a crescendo last year with punk/disco going mainstream and LCD Soundsystem releasing what could probably be considered as Punk Funk’s defining statement. The interesting thing is that Beardo (my favourite name for it so far) seems to have grown out of Punk Funk. There seemed to be a bit of a debate awhile ago about what would be the next big thing after Punk Funk. Some thought, and probably still think, that Noise will make a comeback. It definitely seemed as if the DFA people were totally behind that idea. From what I could gather Noise bands were invading Williamsburg in numbers. But then something strange began to happen. More and more people seemed to take to the notion that reviving smooth seventies rock and slow chilled out disco from the late seventies and early eighties seemed to be the way forward. And then, in the true spirit of zeitgeist, people started popping up everywhere. Like lost tribes the fans of the original Baia degli Angeli Sound (later to evolve into the Cosmic and Afro sounds), the people who had lived through the great Balearic era, and dudes out on the West Coast who had there own version of it all called Pacifica (I mean like, even Harvey lives there, y’know). So all these forces came together and realized that they hella complimented each other. It seems that we might be getting freal all over again.

The Sorcerer (his secret identity) is from Oakland and according to his myspace page he has some pretty eclectic influences. He seems to enjoy jamming with his friend Hatchback, who is actually from San Frandisco (sic) itself. He has pictures of really cools synths on his myspace page. I think he is implying that he owns those synths, and I’m trying not to be jealous. Together The Sorcerer and Hatchback did a song called White Soweto. It supposed to have been a “feel good” track about a white guy in Africa, I presume in Soweto, in the eighties. The Sorcerer notes on his webpage that the jam took an unexpected turn and ended up sounding like a soundtrack to an italian horror flick or “to what’s really going down in the motherland”. Well yeah, Soweto in the eighties certainly was pretty much like a horror film, just much scarier. The next track is called Pocket Check, which is also a jam with Hatchback. I like this one the most, it has Lindstrom-like qualities. Popsicle Orange rounds out the triple play. On the D J History forum Sorcerer did hint that he considered these to be possibly unpolished versions of his ultimate capabilities. I would like to encourage him in his endeavors.

Next up is some trippy Finnish classical music from Einojuhani Rautavaaru. He wrote Cantcus Articus for the degree ceremony for the University of Oulu. The recorded bird sounds come from birds in the Arctic. Rautavaaru is known for mixing up styles, using Romantic and Modern idioms like textures. This is the third and last part of Cantus Articus, and it’s some pretty dramatic stuff.

Lastly we have a tune from Soweto. This group of guys were like a whirlwind back in the mid-nineties. They started a revolution called Kwaito. It was a revolution of being laidback. The title means something like “we are dancing to the music” (I just went and asked someone and they were unsure as to how it should be translated). The other thing that they keep shouting in the song is “Ubize moyeni” which means “we are shouting at the sky”, and it’s one of the few Zulu phrases that I actually know, which is pretty lame of me.

The picture is of Chi-Chi from DBZ, when she was little. By the looks of things, she’s on her way to the Rollerink in 1983.

Sorcerer – White Soweto

Sorcerer – Pocket Check

Sorcerer – Popsicle Orange

Einojuhani Rautavaara – Joutsenet muuttavat (Swans Migrating)

Trompies – Sigiya Ngengoma

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Category: Motel de Moka

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]