.

Alifib

Photo: Robert Adams

Not nit not nit no not
Nit nit folly bololey
Alifi my larder
Alifi my larder
I can’t forsake you or
Forsqueak you
Alifi my larder
Alifi my larder
Confiscate or make you
Late you you
Alifi my larder Alifi my larder
Not nit not nit no not
Nit nit folly bololy
Burlybunch, the water mole
Hellyplop and fingerhole
Not a wossit bundy, see ?
For jangle and bojangle
Trip trip
Pip pippy pippy pip pip landerim
Alifi my larder
Alifi my larder

I’m not your larder,
jammy jars and mustard.
I’m not your dinner,
you soppy old custard.
And what’s a bololey
when it’s a folly?
I’m not your larder,
I’m your dear little dolly.
But when plops get too helly
I’ll fill up your belly.
I’m not your larder,
I’m Alife your guarder

1. Acoustic Guitar TrioMy You
Acoustic Guitar Trio / 2001 / Incus
2. Robert WyattAlifib
Rock Bottom / 1974 / Virgin
3. Robert WyattAlife
Rock Bottom / 1974 / Virgin
4. Valentin SilvestrovI. Postludium DSCH
Leggiero, Pesante / 2002 / ECM
5. Luciano CilioTerzo quadro (da Dialoghi dal presente)
Dell’universo Assente / 2004 / Die Schachtel
6. David SylvianWaterfront
Secrets of the Beehive / 1987 / Virgin

note: Acoustic Guitar Trio are Rod Poole, Nels Cline, Jim McAuley

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Category: Acoustic, Rock

Epistrophy – Madness of Roots

I came across this crazy word “epistrophy” while listening to Frank Lowe’s Fresh. Botanically it means recovering of form of anomalies. Epistrophy was also a jazz standard composed by Thelonious Monk and Kenny Clarke in 1942 (wiki). This word at once reminded me of branches, roots, the mad way they creep – as if a crazy dance which intrigues to creep into your mind and grow inside you.

Then only yesterday, quite accidently and luckily I discovered Roots of Madness from a friend. The band was found in 1969 in CA by Geoff Alexander and Don Campau, and included Joe Morrow, Jim Kulczynski, and David “Dave Dolphin” Leskovsky. The moment I heard the first track “Realisation II” then I knew I’d fallen in love with this music. It’s not a perfect theory but sometimes a certain kind of music is so cool is probably because it covers certain ranges of genres and were combined cooly. They thrill and stimulate you.

So here comes this list, free-jazz, avant-garde, Finn folk and sounds and etc. Enjoy.

1. Black Ox OrkestarAz Vey Dem Tatn
Nisht Azoy / 2006 / Constellation
2. BraspyreetKukkokana
Kissasirkus / 2003 / 267 Lattajjaa
3. Lauhkeat Lampaata6 untitled
Mystery of Hyyry / POK
4. Roots Of MadnessRealisation II
The Girl In The Chair / 1971 / reissued by DESTIJL in 2005
5. Albrecht DAbstract Energy
Endless Music / 1974
6. Frank LoweFresh
Fresh / 1974 / Black Lion
7. Prince Lasha & Sonny SimmonsLost Generation
The Cry! / 1962 / Contemporary Records
8. Sunny MurrayAngels and Devils
Big Chief / 1969 / Pathé Marconi EMI
9. Sam RiversEcstasy
Paragon / 1977 / Fluid

image: sarkali, Roots of Madness

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Category: Experimental, Folk, Jazz

Double Spindizzy

There was no longer any reason why a man-carrying vehicle to cross space needed to be small, cramped and penurious of weight. Once antigravity was an engineering reality, if was no longer necessary to design ships specially for space travel, for neither mass nor aerodynamic lines meant anything any more. The most massive and awkward object could be lifted and hurled off the Earth and carried almost any distance. Whole cities, if necessary, could be moved.

                                                                            —- James Blish

SatwaCan I Be Satwa
Satwa 1973 Time-Lag
Henry FlyntDouble Spindizzy
Graduation And Other New Country And Blues Music 2001 Ampersand
Shut UpAll Alone
Hell In A Handbasket 1986 Brasch Music
The IntelligenceThe Outer Echelon
Deuteronomy 2007 In The Red Records
BelaborisKuolleet Peilit
… Olipa kerran 1984 Poki Rekords
Mood SixShe’s Too Far (out)
The Best of Mood Six: Songs from the Lost Boutique 2000 Cherry Red
L’InfonieJ’Ai Perdu 15 Cents Dans Le Nez Froid D’Un Ange Bronze
L’Infonie 1969

photo: jesseen

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Category: Pop, Rock

Spindizzy

Been absent for a while and now this is a slight return. Here are these small tunes that I’ve been digging these days. Nuno Canavarro and The Hibibiyya (and some other bands like L’Infonie) are some real surprises – old gems from the 60-80′s again - I’m still so in love with that era. And almost without a doubt, Belgium’s Delphine Dora to me is one of the lovelist. I’ve been totally amazed me by her murmurs in her own secret language. More revivals to be continued…

1. Oh, Birds!Wrappedinplastic
“…of grief and satellites” / 2007
2. OfMany Marriages
The Buried Stream / Jewelled Antler
3. Nuno CanavarroBruma
Plux Quba / 1988 / Ama Romanta
4. HabibiyyaKoto Piece
If Man But Knew / 1972
5. delphine doraladiyaochoupala
floating existence / 2005 / Another Record

image: sarkali

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Category: Experimental, Folk

Requiem

“When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It’s like a light that is extinguished. Not very much to make a fuss about.”

Ingmar Bergman (14.7.1918 – 30.7.2007)

Here I’m quoting Ingmar’s words again. This time I’m going to say: No, I’m so afraid of it.

It has been around me. From the death of Ingmar Berman, Michelangelo Antonioni, Wen Xing Yu (a famous and beloved local actor here), Max Roach, good friend’s uncle, and so on. And I just got to know that one of my good friends from high school who used to sat behind me, Tian, a really sweet girl, has left us 10 days ago… Cruely before I could wipe away the tears, I was told a guy who was also from high school has gone as well – while trying to stop a fight.

For a moment I don’t know what is going on, I’m kind of lost and confused. How ridiculous this summer is. All of this sudden disappearence is so unbearable. Like fallen stars, their fell on me one by one. The weight makes me scared. I couldn’t stop crying at night. Tian’s death, I have to say, finally made me realise completely what people mean by ‘cherish’. I haven’t been in contact with her for quite a while. Now I looked back on those sweet words that she wrote to me when we graduated more than 3 years ago, in the small booklet where she wrote: “Saisai, will you remember me? I will think of you, and remeber you, really!” Certainly. I do. I miss you, Tian.

Yet c’est la vie. And I don’t want it to sound too heavy and depressing. People coming and leaving, no matter how and when, who wouldn’t at the end – even if it’s not death. Life goes on, and everything will be ok.

May they all rest in peace.

1. Ingmars ZemzarisAverte Faciem Tuam
(Miserere / 1996)
2. Erik FriedlanderThe Wind Groans
(Maldolor / 2003 / Brassland)
3. Voice of the Seven WoodsThe Journey
(The Journey / 2007 / self released)
4. The Blithe SonsMorning at Night
(The Amazed Map / 2007)
5. Ryuichi SakamotoDream
(Lack of Love / 2000)
6. Harold BuddAs Long As I Can Hold My Breath
(Avalon Sutre / 2000 / Samadhi Sound)

photo credit to longarmhair

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Category: Acoustic, Folk

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]