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Sound of Pain


Osman Aktaş – Daldalar Barı
(Ana / Kalan Müzik / 1998)
Farid Farjad – Taghtam Deh
(An Roozhaa 4 / ? / ?)
Başar Dikici & Bülent Altınbaş – Huzur
(Buluşma / Turkuaz Müzik / 2005)
Turgay Özüfler – Magaya
(Made In Klarnet / AJS Yapım / 2006)
Mikis Theodorakis & Vassilis Saleas – The Violent-Coloures Mountains
(Litany / FM/Atlas / 1998)
Cahit Berkay – Selvi Boylum Al Yazmalım
(Film Müzikleri Volüm 1 / Emre Plak / 1997)
Djivan Gasparyan – A Cool Wind Is Blowing
(I Will Not Be Sad In This World / Opal / 1989)

photo by Anastassia Zlatopolskaia.

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Category: Folk

Turkish Traditional Dance Tunes

Mustafa Kandıralı and Selim Sesler are the two of the most important clarinetist in Turkey. Their ancestors are Gypsy, and second and fifth songs belong to Romani people.

Burhan Öçal is a wellknown percussionist in all around the world.

Baba Zula is a psychedelic group uses turkish instruments in their works. The language is used in this song actually doesn’t exist.

01. Mustafa KandıralıBahriye Çiftetellisi

02. Selim Sesler & Grup TrakyaKiremit Bacaları – Naşti Uşava

03. Mustafa KandıralıMisket

04. Burhan Öçal & Jamaladeen TacumaNihavend Longa

05. Burhan Öçal & Istanbul Oriental EnsembleRoman Oyun Havası

06. Baba ZulaSıpa

photo by Anastassia Zlatopolskaia

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Category: Folk

We Got Instrument(al)s

First of all, I chose this picture, because it’s my first post and I’m feeling just like a virgin. Actually I have had no criteria while I have been selecting the songs in the below, of course except for being enstrumental. I wanted to begin with enstrumental songs because these songs adress to the ears directly. Moreover they do not consider nationalities.

01. Chris SpheerisField of Tears

Desires of Heart (1990)

02. Akira YamaokaI Want Love

Silent Hill 3 Original Soundtrack

03. George WinstonWoods

Autumn (1980)

04. The String QuartetMoney

The String Quartet Tribute to Pink Floyd (2002)

05. BanzaiRhytme Kung-Fu

Horanata (1973)

06. Sandy NelsonTeen Beat

? (1959)

PS : I know I Want Love isn’t an instrumental song. But It’s beautiful anyway.

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Category: Experimental

With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down. [1]


Down, down, down. Would the fall never come to an end! `I wonder how many miles I've fallen by this time?' she said aloud. `I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--' (for, you see, Alice had learnt several things of this sort in her lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) `--yes, that's about the right distance--but then I wonder what Latitude or Longitude I've got to?' (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) [2]



O long-silent Sybil,
you of the winged dreams,
Speak out from your temple of light
as the serious constellations
with Greek names
still stare down on us
as a lighthouse moves its megaphone
over the sea
Speak out and shine upon us
the sea-light of Greece
the diamond light of Greece

Far-seeing Sybil, forever hidden,
Come out of your cave at last
And speak to us in the poet's voice
the voice of the fourth person singular
the voice of the inscrutable future
the voice of the people mixed
with a wild soft laughter--
And give us new dreams to dream,
Give us new myths to live by! [3]


So our princes who have lost their principalities after many years’ of possession shouldn’t blame their loss on fortuna. The real culprit is their own indolence, going through quiet times with no thought of the possibility of change (it’s a common human fault, failing to prepare for tempests unless one is actually in one!). And when eventually bad times did come, they thought of •flight rather than •self-defence, hoping that the people, upset by conquerors’ insolence, would recall them. This course of action may be all right when there’s no alternative, but it is not all right to neglect alternatives and choose this one; it amounts to voluntarily falling because you think that in due course someone will pick you up. If you do get rescued (and you probably won’t), that won’t make you secure; the only rescue that is really helpful to you is the one performed by you, the one that depends on yourself and your virtù. [4]